O EMERGIR DA MÚSICA POPULAR E SUAS INTERFACES COM A INDÚSTRIA FONOGRÁFICA por Costa, Anderson, Barreto Catalan, Lucas

“…So, starting from the Jamaican reggae, we seek to wise Adorno’s perspective about music investigation to an analysis where is possible toinvestigate the outlying artistic production, as the popular music that rises in Jamaica. This argument opened space to a discussion about the possibility of the phonographic industry have multiple actuation forms developed from its contingencies that are created by the singularities of its unequal way of work in face of different economic, political and cultural circumstances, keeping in sight that local realities are integrated to the capitalism mode of production.Keywords: Popular music. …”
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