Collective identity and social organization regarding the extractionist model: The case of Marmato (Caldas) por Cárdenas Espinosa, Andrea Catherine

“…The extractive model imposed on the southern countries at the hands of developed countries, it is opposed to the interests of local communities because they have autonomous development projects closely linked to their identity. …”
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Jiu-jitsu in the Context of Armed Conflict: The Power of Nonviolent Resistance por Garrido, María Belén, Mouly, Cécile, Idler, Annette

“…Based on interviews and on-site observation, we show how achieving a jiu-jitsu helped the community of Samaniego to be more autonomous from the armed actors.…”
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The artistic experience as an articulator of memory and truth policies: an analysis from the incidence of Colombian actors and social narratives por Wilches Tinjacá, Jaime Andrés, Cuello Saumeth, María Camila, Díaz Gamba, Wilson

“…In order to do this, the documentaryanalysis technique were applied In systematization of the corpus, it is clear that the academia,the State and the cultural organizations of the civil society have been the most relevant actorsand their seeks to highlight the pedagogical, restorative and cathartic potential of artistic manifestations.Although art is an autonomous expression that enjoys freedom of action, it alsoneeds interdisciplinary dialogues, public investment projects and recognition from other actorsin society (media, business, church). …”
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