Eu te amo – a song by Tom Jobim and Chico Buarque por Carmo Jr., José Roberto do

“…This essay analyses Chico Buarque's and Tom Jobim's song by taking into account the work of both the poet and the musician as a way to create an array of compatibilities between lyrics and melody. The lyrics are presented as a passionate text paradoxically woven with so called quasi-logic arguments (Perelman), whereas for the melody the waltz genre as well as the rondo and the harmonic circularity are some of the elements found in resonance with Chico Buarque's lyrics. …”
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“Hei de amar-te até morrer!" notes about the brazilian genre "modinha" por Dietrich, Peter, Discini, Norma, Lopes, Ivã Carlos

“…We focus on the relation between melody and lyrics, assuming this to be the source for the production of meaning in musical language. …”
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Oh Minas Gerais, Oh linda La Paz: identities on song discourse por Jáuregui, Carlos, Teixeira, Nísio

“…From the contextualization of its origins (even if imprecise) and the analysis of melody and lyrics, in articulation with their contexts of production and circulation, we propose to reflect on variations and recurrences, concentrating on the values ​​and affections called in the construction of Minas Gerais and La Paz identities that are suggested in the form of music and in the song aspects that favor its consolidation as a "hymn".…”
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Análisis de las recnologias de la información y comunicación en el aula: estudio de casos por Mattos, Maria Odete de, Milena, Ewelina Slowiñska, Gómez, Melody Santos, Romero, Natalia Martínez

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Phono-stylistic features of small prose by E. Canetti por Barova, Alyona Gennadevna, Trofimova, Ludmila Vladimirovna

“…The study of a work of art from the point of view of phonetics plays a special role insofar as the analysis of the use of phonetic means (melody, rhythm, tempo, tone, accent, rate of speech, the use of certain sounds) in a text, sound support, stylistic meaning of the subtext helps to reveal the ideological intention of the author and to comprehend the aesthetic and emotional depth of a work. …”
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