Globalization and new identities: the rap's example por Guimarães, Maria Eduarda Araujo

“…One of the examples of these new identifications can be located in rap music and the hip hop movement. Rap appeared as music of the young blacks of the outlying areas of the United States and soon it was appropriate for young blacks in the whole world peripheries. …”
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O EMERGIR DA MÚSICA POPULAR E SUAS INTERFACES COM A INDÚSTRIA FONOGRÁFICA por Costa, Anderson, Barreto Catalan, Lucas

“…THE EMERGENCE OF POPULAR MUSIC AND ITS INTERFACES WITH THE PHONOGRAPHIC INDUSTRYThis article is about popular music, focusing in the relations built by music in face of capitalism’s expansion in the arts’ field. …”
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The pop rock and poetic writing in Jean-Marie Gustave Le Clezio’s Voyages de l’Autre Côté por Milaneze, Érica

“…Therefore, the saturation of the poetic writing with pop music seems to help release imagination, and predisposes the characters to cope with a sensitive infinity.…”
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Imitação e diferença em Gabriel Tarde por Monzelli, Arthur Guilherme

“…In this sense, we refer to music, specifically to the rap of Racionais Mc’s and the popular notion of social organization self-titled Bonde.…”
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Os maracatus nação pernambucanos no contexto da globalização por Koslinski, Anna Beatriz Zanine

“…The cultural manifestation is composed by a royal courtship with music and dance and it takes place mainly in poor neighborhoods communities. …”
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The circuit in urban etnomusicology por Soares, Nelson Souza

“…In this paper we seek an analysis of the methodological contributions that the use of the concept of circuit can bring to urban ethnomusicological research, specifically on study of youth contexts involving popular music.…”
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Análise das apresentações da performance através do público por Abdalla, Jonath Boeta, Oliveira, Pablo Vinícius Barreto de, Coutinho, Ângela Maria da Costa e Silva

“…This paper aims to analyze on the performance "Nada Poderá Tornarmos Menos Pretos Que Somos", a passage referring to the song "Paz, Coroas e Tronos" by the black singer / rap and LGBT+ Rico Dalasam, whose aim is to show through poetic art, music, corporal expression and struggle against racism, as well as seeking to value the history and knowledges of Brazil's black population, its processes of resistance, its pains, the lack of receptivity and all the adversities suffered through time , by triggering relevant aspects of culture, roots and ancestry. …”
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“In the beginning there was a word …”: experience of exegetics in the language aspect” por Volkova, Polina, Panova, Elena, Saenko, Natalya, Kortunov, Vadim

“…Nalimov), Sound (A. Makarevich), Music (N. Bobyleva), Emotion (V. Shakhovskiy), Gesture (A. and N. …”
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To give birth and to be born. Body traces, subjective impact and violated rights por Arnao Bergero, Magdalena, Galván, Virginia Luz, Roso, Flavia

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A foreign pilgrimage? Spatiality and identity strategies of the Bolivian community in Argentina por Dawidiuk, Carlos Luciano, Vogel, Carolina

“…The circulation of multiple symbols is linked to identity claims and the reaffirmation of this community, as well as their music and dance. All of these elements reveal a sense of belonging that is expressed through various corporal practices. …”
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Cornélio Pires and the caipira world reread and staged by Soffredini: Cornélio Pires e o mundo caipira relido e encenado por Soffredini por Rodrigues Balista, Lígia

“…In order to do this, it analyses the importance of the figure of Cornélio Pires in the diffusion about the rural world at the turn of the century, as well as some of his creations in the field of folk music and literature. Pires is one of the authors who references Soffredini’s work, revisiting his trajectory in the show A estrambótica aventura da música caipira, in 1990 – analyzed here in order to comment on the representation of caipira and folk culture produced in this play, the re-interpretation of Pires' work and some impacts of the choices made in this production in the context of the end of the 20th century in Brazil.Keywords: Cornélio Pires; Carlos Alberto Soffredini; folk culture; Brazilian literature; rural culture.How to citeBALISTA, Lígia Rodrigues. …”
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Josephus Gil y José Bernardo Dos maestros mulatos peruanos en Chile / Josephus Gil and José Bernardo Two Peruvian mulatto teachers in Chile por Eisner Sagüés, Federico

“…Keywords: José Bernardo Alzedo, José Gil de Castro, XIX century, music, circulation, etnicity…”
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