The vertebra of the censorship: Amor de don Perlimplín, a Lorquian erotic aleluya por Castro Filho, Claudio

“…In between tradition and vanguard, i.e. in between the actor’s body and the puppet’s artificial one, the play is indeed a poetic realm where several aesthetic references can be traced, such as Goethe’s Faust or Classical mythology, taken from a Gongorian point of view. …”
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