Publicado 2008
“…This essay analyses Chico Buarque's and Tom Jobim's song by taking into account the work of both the poet and the musician as a way to create an array of compatibilities between lyrics and
melody. The lyrics are presented as a passionate text paradoxically woven with so called quasi-logic arguments (Perelman), whereas for the
melody the waltz genre as well as the rondo and the harmonic circularity are some of the elements found in resonance with Chico Buarque's lyrics.
…”
Enlace del recurso
Enlace del recurso
info:eu-repo/semantics/article