Sobre las vicisitudes del término Gemüt
Immanuel Kant´s philosophy is the critic theory about Gemüt, which culmination is reached in the Kritik der Urteilskraft. It contains, in its meaning, the dimention of the animus as well as the dimention of the thymós; in this sense, it is the source and seat of the subject´s total faculties. Among...
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Formato: | Artículo |
Lenguaje: | Español |
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Universidad Nacional de Cuyo. Facultad de Filosofía y Letras. Instituto de Filosofía.
2009
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Acceso en línea: | http://bdigital.uncu.edu.ar/3276 |
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author | Ibañez, Mónica |
author_facet | Ibañez, Mónica |
author_sort | Ibañez, Mónica |
collection | Repositorio |
description | Immanuel Kant´s philosophy is the critic theory about Gemüt, which culmination is reached in the Kritik der Urteilskraft. It contains, in its meaning, the dimention of the animus as well as the dimention of the thymós; in this sense, it is the source and seat of the subject´s total faculties. Among them, Kant includes the feeling of joy and displeasure, which faculty of knowing is the Urteilskraft, and its principle a priori is the ending (but not the culmination), for which theGemüt is the subject´s life. In Hegel’s philosophy of art, it is reduced to just feeling. |
format | Artículo |
id | uncu-3276 |
institution | Biblioteca Digital - UNCUYO |
language | Español |
publishDate | 2009 |
publisher | Universidad Nacional de Cuyo. Facultad de Filosofía y Letras. Instituto de Filosofía. |
record_format | ojs |
spelling | uncu-32762010-08-04T10:27:11Z Sobre las vicisitudes del término Gemüt Ibañez, Mónica Filosofía moderna Kant, Immanuel Historia y crítica Gemüt Immanuel Kant´s philosophy is the critic theory about Gemüt, which culmination is reached in the Kritik der Urteilskraft. It contains, in its meaning, the dimention of the animus as well as the dimention of the thymós; in this sense, it is the source and seat of the subject´s total faculties. Among them, Kant includes the feeling of joy and displeasure, which faculty of knowing is the Urteilskraft, and its principle a priori is the ending (but not the culmination), for which theGemüt is the subject´s life. In Hegel’s philosophy of art, it is reduced to just feeling. Fil: Ibañez, Mónica. Universidad Nacional de Cuyo. Facultad de Filosofía y Letras Universidad Nacional de Cuyo. Facultad de Filosofía y Letras 3034 Philosophia No. 69 Philosophia, No. 69 2009-07-01 spa Español http://bdigital.uncu.edu.ar/3273 info:eu-repo/semantics/openAccess http://creativecommons.org/licenses/by/2.5/ar/ article info:ar-repo/semantics/artículo info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf Universidad Nacional de Cuyo. Facultad de Filosofía y Letras. Instituto de Filosofía. http://bdigital.uncu.edu.ar/3276 |
spellingShingle | Filosofía moderna Kant, Immanuel Historia y crítica Gemüt Ibañez, Mónica Sobre las vicisitudes del término Gemüt |
title | Sobre las vicisitudes del término Gemüt
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title_full | Sobre las vicisitudes del término Gemüt
|
title_fullStr | Sobre las vicisitudes del término Gemüt
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title_full_unstemmed | Sobre las vicisitudes del término Gemüt
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title_short | Sobre las vicisitudes del término Gemüt
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title_sort | sobre las vicisitudes del término gemüt |
topic | Filosofía moderna Kant, Immanuel Historia y crítica Gemüt |
url | http://bdigital.uncu.edu.ar/3276 |