Biblioteca Digital de VanguardiaThe impact of public policies on film production in Ecuador during the decade 2007-2017.
Governmental actions provide solutions to problems of public interest in order to improve the quality of life of the population; with the creation of the Law for the Promotion of National Cinema in 2006, the country began a change in film production, the objective of this study is to determine the i...
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| Formato: | Revistas |
| Lenguaje: | Español Inglés |
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Universidad Politécnica Salesiana (Ecuador)
2022
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| Acceso en línea: | https://universitas.ups.edu.ec/index.php/universitas/article/view/5887 |
| _version_ | 1782340264216494080 |
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| author | Romero-Espinosa, Santiago Fernando Herrera-Ortega, Katherine Cristina |
| author_facet | Romero-Espinosa, Santiago Fernando Herrera-Ortega, Katherine Cristina |
| author_sort | Romero-Espinosa, Santiago Fernando |
| collection | Revista |
| description | Governmental actions provide solutions to problems of public interest in order to improve the quality of life of the population; with the creation of the Law for the Promotion of National Cinema in 2006, the country began a change in film production, the objective of this study is to determine the impact of public policies on film production in Ecuador during the decade 2007-2017. The present research is qualitative with an exploratory approach. The methods used are historical-logical and analytical-synthetic. A non-probabilistic intentional sampling was used for the application of surveys to a group of 200 filmmakers and audiovisual producers. The results analyzed the economic and productive impacts of filmmaking as a result of the public policies established by the government of Rafael Correa. The structural transformation of filmmaking was identified as a result of the Film Promotion Law, issued in 2006, and the creation of the National Filmmaking Council a year later. The lack of foreign investment, the limited application of the Organic Law of Culture and the Law of Communication have left cinema out of the priority issues, minimizing the creation, distribution and equitable access to different audiovisual contents; however, despite these gaps, Ecuadorian cinema continues to be characterized by its creativity, entertainment and resistance that still awaits an upturn. |
| format | Revistas |
| id | oai:revistas.ups.edu.ec:article-5887 |
| institution | Universitas |
| language | Español Inglés |
| publishDate | 2022 |
| publisher | Universidad Politécnica Salesiana (Ecuador) |
| record_format | ojs |
| spelling | oai:revistas.ups.edu.ec:article-58872022-10-12T12:51:10Z The impact of public policies on film production in Ecuador during the decade 2007-2017. Incidencia de las políticas públicas en la producción cinematográfica de Ecuador durante la década 2007-2017 Romero-Espinosa, Santiago Fernando Herrera-Ortega, Katherine Cristina Cinematography public policy production impacts communication culture creation exhibition Cinematografía políticas públicas producción impactos comunicación cultura creación exhibición Governmental actions provide solutions to problems of public interest in order to improve the quality of life of the population; with the creation of the Law for the Promotion of National Cinema in 2006, the country began a change in film production, the objective of this study is to determine the impact of public policies on film production in Ecuador during the decade 2007-2017. The present research is qualitative with an exploratory approach. The methods used are historical-logical and analytical-synthetic. A non-probabilistic intentional sampling was used for the application of surveys to a group of 200 filmmakers and audiovisual producers. The results analyzed the economic and productive impacts of filmmaking as a result of the public policies established by the government of Rafael Correa. The structural transformation of filmmaking was identified as a result of the Film Promotion Law, issued in 2006, and the creation of the National Filmmaking Council a year later. The lack of foreign investment, the limited application of the Organic Law of Culture and the Law of Communication have left cinema out of the priority issues, minimizing the creation, distribution and equitable access to different audiovisual contents; however, despite these gaps, Ecuadorian cinema continues to be characterized by its creativity, entertainment and resistance that still awaits an upturn. Las acciones gubernamentales permiten dar soluciones a problemas de interés público con la finalidad de mejorar la calidad de vida de la población; con la creación de la ley de Fomento al cine nacional en el 2006, el país inició un cambio en la producción cinematográfica, el objetivo de este estudio es determinar la incidencia de las políticas públicas en la producción cinematográfica de Ecuador durante la década 2007-2017. La presente investigación es cualitativa con un enfoque exploratorio Los métodos utilizados son histórico-lógico y analítico-sintético. Se utilizó un muestreo no probabilístico intencional para la aplicación de encuestas a un grupo de 200 cineastas y productores audiovisuales. Como resultados se analizaron los impactos económico y productivo del cine a partir de las políticas públicas establecidas en el gobierno de Rafael Correa, se identificó la transformación estructural de la cinematografía a partir de la Ley de Fomento Cinematográfico, expedida en el 2006 y un año posterior la creación del Consejo Nacional de Cinematografía. La falta de inversión extranjera, la limitada aplicación de la Ley Orgánica de Cultura y la Ley de Comunicación han dejado el cine fuera de los temas prioritarios minimizando la creación, distribución y acceso equitativo a diferentes contenidos audiovisuales; sin embargo; a pesar estas brechas el cine ecuatoriano sigue caracterizándose por su creatividad, relato de entretenimiento y resistencia que todavía aguarda por un despunte. Universidad Politécnica Salesiana (Ecuador) 2022-09-27 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf application/pdf application/zip text/html https://universitas.ups.edu.ec/index.php/universitas/article/view/5887 10.17163/uni.n37.2022.08 Universitas; No. 37 (2022): (September 2022-February 2023). A proposed agenda for digital communication research after the covid-19 pandemic in Iberoamerica; 201-221 Universitas; Núm. 37 (2022): (septiembre 2022-febrero 2023). Una propuesta de agenda de la investigación en comunicación digital tras la pandemia de covid-19 en Iberoamérica; 201-221 1390-8634 1390-3837 10.17163/10.17163/uni.n37 spa eng https://universitas.ups.edu.ec/index.php/universitas/article/view/5887/5878 https://universitas.ups.edu.ec/index.php/universitas/article/view/5887/5879 https://universitas.ups.edu.ec/index.php/universitas/article/view/5887/5880 https://universitas.ups.edu.ec/index.php/universitas/article/view/5887/5881 Derechos de autor 2022 Universidad Politénica Salesiana http://creativecommons.org/licenses/by-nc-sa/4.0 |
| spellingShingle | Romero-Espinosa, Santiago Fernando Herrera-Ortega, Katherine Cristina The impact of public policies on film production in Ecuador during the decade 2007-2017. |
| title | The impact of public policies on film production in Ecuador during the decade 2007-2017. |
| title_full | The impact of public policies on film production in Ecuador during the decade 2007-2017. |
| title_fullStr | The impact of public policies on film production in Ecuador during the decade 2007-2017. |
| title_full_unstemmed | The impact of public policies on film production in Ecuador during the decade 2007-2017. |
| title_short | The impact of public policies on film production in Ecuador during the decade 2007-2017. |
| title_sort | impact of public policies on film production in ecuador during the decade 2007-2017. |
| url | https://universitas.ups.edu.ec/index.php/universitas/article/view/5887 |