Biblioteca Digital de VanguardiaThe bomba from the Chota Valley and Quito. Musical change and identitary relationship
The article analyzes the bomba as identity, musical genre and instrument. We review how the bomba has been changing and its correlation with the afrochoteño pueblo social context, both in Quito and the Chota-Mira Valley. An analysis is made in two levels: identity and musicological, finding out the...
| Autor principal: | |
|---|---|
| Formato: | Revistas |
| Lenguaje: | Español |
| Publicado: |
Centro de Publicaciones Pontificia Universidad Católica del Ecuador
2021
|
| Acceso en línea: | http://cuadernosdeantropologia-puce.edu.ec/index.php/antropologia/article/view/240 |
| _version_ | 1782334039509696512 |
|---|---|
| author | Carrión Suza, Sofía |
| author_facet | Carrión Suza, Sofía |
| author_sort | Carrión Suza, Sofía |
| collection | Revista |
| description | The article analyzes the bomba as identity, musical genre and instrument. We review how the bomba has been changing and its correlation with the afrochoteño pueblo social context, both in Quito and the Chota-Mira Valley. An analysis is made in two levels: identity and musicological, finding out the relationship between them.
|
| format | Revistas |
| id | oai:ojs.pkp.sfu.ca:article-240 |
| institution | Antropología Cuadernos de investigación |
| language | Español |
| publishDate | 2021 |
| publisher | Centro de Publicaciones Pontificia Universidad Católica del Ecuador |
| record_format | ojs |
| spelling | oai:ojs.pkp.sfu.ca:article-2402023-04-11T19:50:16Z The bomba from the Chota Valley and Quito. Musical change and identitary relationship La Bomba del Valle del Chota y Quito. Cambio musical y relación identitaria Carrión Suza, Sofía music - afrochoteños - identity - bomba - culture. música - afrochoteños - identidad - bomba - cultura The article analyzes the bomba as identity, musical genre and instrument. We review how the bomba has been changing and its correlation with the afrochoteño pueblo social context, both in Quito and the Chota-Mira Valley. An analysis is made in two levels: identity and musicological, finding out the relationship between them. El presente artículo analiza la bomba como identidad, género musical e instrumento. Revisamos cómo la bomba ha ido cambiando y su correlación con el contexto social del pueblo afrochoteño, tanto en Quito como en el valle del Chota-Mira. Se hace un análisis en dos niveles: identitario y musicológico, encontrando la relación entre ambos. Centro de Publicaciones Pontificia Universidad Católica del Ecuador 2021-05-19 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf http://cuadernosdeantropologia-puce.edu.ec/index.php/antropologia/article/view/240 10.26807/ant.vi23.240 Antropología Cuadernos de Investigación; Núm. 23 (2020): Estudios Emergentes; 29-50 2631-2506 1390-4256 10.26807/ant.vi23 spa http://cuadernosdeantropologia-puce.edu.ec/index.php/antropologia/article/view/240/159 Derechos de autor 2021 Antropología Cuadernos de investigación |
| spellingShingle | Carrión Suza, Sofía The bomba from the Chota Valley and Quito. Musical change and identitary relationship |
| title | The bomba from the Chota Valley and Quito. Musical change and identitary relationship |
| title_full | The bomba from the Chota Valley and Quito. Musical change and identitary relationship |
| title_fullStr | The bomba from the Chota Valley and Quito. Musical change and identitary relationship |
| title_full_unstemmed | The bomba from the Chota Valley and Quito. Musical change and identitary relationship |
| title_short | The bomba from the Chota Valley and Quito. Musical change and identitary relationship |
| title_sort | bomba from the chota valley and quito. musical change and identitary relationship |
| url | http://cuadernosdeantropologia-puce.edu.ec/index.php/antropologia/article/view/240 |