Image, Object and Art: The Photography of Guido Boggiani

This piece reflects upon the use of Guido Boggiani’s photographs among the Chamacoco or Ishir people of the Paraguay Chaco between 1890 and 1900. The study parts from a hermeneutic appreciation of the existent historical material on the subject, including Alfred Gell’s agential approach concerning s...

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Autor principal: Reyero, Alejandra
Formato: Revistas
Lenguaje:Español
Publicado: Facultad Latinoamericana de Ciencias Sociales, Sede Ecuador 2012
Acceso en línea:https://iconos.flacsoandes.edu.ec/index.php/iconos/article/view/362
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author Reyero, Alejandra
author_facet Reyero, Alejandra
author_sort Reyero, Alejandra
collection Revista
description This piece reflects upon the use of Guido Boggiani’s photographs among the Chamacoco or Ishir people of the Paraguay Chaco between 1890 and 1900. The study parts from a hermeneutic appreciation of the existent historical material on the subject, including Alfred Gell’s agential approach concerning social issues and Michael Taussig’s understanding of the mimetic nature of photography. The study ends with a discussion about Boggiani’s photographs today and their current circulation among different art venues.
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spelling iconos-article-3622024-04-23T17:55:32Z Image, Object and Art: The Photography of Guido Boggiani Imagen, objeto y arte: la fotografía de Guido Boggiani Reyero, Alejandra Gran Charco Chamacoco Muerte Mimesis Fotografías Arte Death Photography Art Paraguay Gran Chaco Chamacoco death mimesis agency interpretation This piece reflects upon the use of Guido Boggiani’s photographs among the Chamacoco or Ishir people of the Paraguay Chaco between 1890 and 1900. The study parts from a hermeneutic appreciation of the existent historical material on the subject, including Alfred Gell’s agential approach concerning social issues and Michael Taussig’s understanding of the mimetic nature of photography. The study ends with a discussion about Boggiani’s photographs today and their current circulation among different art venues. El objetivo de este trabajo es reflexionar sobre el uso que hacia 1890-1900 tuvieron las imágenes fotográficas de Guido Boggiani entre los indígenas chamacoco o ishir del Chaco paraguayo, a partir de una lectura actual –en clave hermenéutica– del material historiográfico existente sobre el tema. Para ello recurrimos a la perspectiva interpretativa de Alfred Gell y su lógica agentiva de los hechos sociales, así como a la problematización de Michael Taussig sobre la capacidad mimética de la fotografía; para finalmente discutir la circulación actual de las fotografías de Boggiani en espacios de arte. Facultad Latinoamericana de Ciencias Sociales, Sede Ecuador 2012-01-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo evaluado por pares application/pdf https://iconos.flacsoandes.edu.ec/index.php/iconos/article/view/362 10.17141/iconos.42.2012.362 Íconos - Revista de Ciencias Sociales; Núm. 42 (2012): Dossier: Antropología visual en Latinoamérica; 33-49 Íconos - Revista de Ciencias Sociales; n. 42 (2012): Dossier: Antropología visual en Latinoamérica; 33-49 Íconos. Revista de Ciencias Sociales; No. 42 (2012): Dossier: Visual anthropology in Latin America; 33-49 1390-8065 1390-1249 spa https://iconos.flacsoandes.edu.ec/index.php/iconos/article/view/362/349 Derechos de autor 2012 Alejandra Reyero https://creativecommons.org/licenses/by-nd/3.0/deed.es_ES
spellingShingle Reyero, Alejandra
Image, Object and Art: The Photography of Guido Boggiani
title Image, Object and Art: The Photography of Guido Boggiani
title_full Image, Object and Art: The Photography of Guido Boggiani
title_fullStr Image, Object and Art: The Photography of Guido Boggiani
title_full_unstemmed Image, Object and Art: The Photography of Guido Boggiani
title_short Image, Object and Art: The Photography of Guido Boggiani
title_sort image, object and art: the photography of guido boggiani
url https://iconos.flacsoandes.edu.ec/index.php/iconos/article/view/362