| Sumario: | This article presents the results from a social research and is part of the IPAZUD work . The main reflection presented here is about artistic production in the context of Venezuelan migration in Colombia and Bogotá. Based on case studies and sociological background, this research analyzes the social integration capacity on the cultural industry in Bogotá. At the end we offer some recommendations. As a conclusion the research shows that the practics of arts in Bogotá are strongly hierarchical and its integration capacity depends on the social and cultural capital that migrants have, so democratizing the means for their production, as well as the spaces for art publication and the promotion of cooperation networks among migrants, is one of the most outstanding final recommendations.
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