| Sumario: | This research seeks to identify actors and narratives that position artistic experience as an articulatingaxis of Colombian memory and truth policies. In order to do this, the documentaryanalysis technique were applied In systematization of the corpus, it is clear that the academia,the State and the cultural organizations of the civil society have been the most relevant actorsand their seeks to highlight the pedagogical, restorative and cathartic potential of artistic manifestations.Although art is an autonomous expression that enjoys freedom of action, it alsoneeds interdisciplinary dialogues, public investment projects and recognition from other actorsin society (media, business, church). This, to strengthen its contribution to the challenges anddilemmas of memory and truth policies in the post-agreement context.
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