| Sumario: | From the life experiences in the Bogota habitat, dialogues are created, reflections are made on some events that disrupt the daily life, such as going on public transport, where the game of changing the objects from their natural environment creates other forms and visions from the capital. The foregoing refers to a narrative that takes up part of the experiences of daily living, being the object the one that helps configuring our realities and also becoming the mediator for our individual or collective memories. In such a way that, it is important to comment the day by day, confined in the spectrum of emptiness. It is proposed to relate how emptiness creates some realities, by means of identifying some signs and symbols which interpret memory or a nihilism in daily practices, then to unlink the objects meaning that surround us to create our own context or city. Finally, we comment on the creative process of a man from the capital who thrives on walking the streets, visiting exhibitions, proposing dialogue spaces with citizens and conducting studies on the square, this last one taken into account for the realization of different compositions.
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