Children in the Streets: Film as Movement-Translation Device

This work examines the filmic representation of homeless children transiting the urban space and cinematographic apparatus as a translator of that movement. The analysis focuses in two Latin American works: Valparaíso mi amor by Aldo Francia and Crónica de un niño so...

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Detalles Bibliográficos
Autor principal: Donoso, Catalina
Formato: info:eu-repo/semantics/article
Lenguaje:Español
Publicado: Universidad de Chile. Instituto de la Comunicación e Imagen 2011
Acceso en línea:https://comunicacionymedios.uchile.cl/index.php/RCM/article/view/19899
http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/78716
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author Donoso, Catalina
author_facet Donoso, Catalina
author_sort Donoso, Catalina
collection Repositorio
description This work examines the filmic representation of homeless children transiting the urban space and cinematographic apparatus as a translator of that movement. The analysis focuses in two Latin American works: Valparaíso mi amor by Aldo Francia and Crónica de un niño solo by Leonardo Favio, proposing them as examples to depict the relation between the camera as a machine of passivity and confinement and narrative and syntactic decisions developed by each film.
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spelling clacso-CLACSO787162022-03-22T14:36:36Z Children in the Streets: Film as Movement-Translation Device Niños en las calles: el cine como dispositivo de traducción del movimiento Donoso, Catalina This work examines the filmic representation of homeless children transiting the urban space and cinematographic apparatus as a translator of that movement. The analysis focuses in two Latin American works: Valparaíso mi amor by Aldo Francia and Crónica de un niño solo by Leonardo Favio, proposing them as examples to depict the relation between the camera as a machine of passivity and confinement and narrative and syntactic decisions developed by each film. El presente trabajo revisa la representación fílmica de niños marginales sin hogar que transitan por el espacio urbano y el aparato cinematográfico como traductor de dicho movimiento. El análisis se centra en dos filmes latinoamericanos: Valparaíso mi amor de Aldo Francia y Crónica de un niño solo de Leonardo Favio, proponiéndolos como ejemplos que describen la relación entre la cámara como máquina de pasividad y confinamiento y las opciones narrativas y sintácticas desarrolladas por cada film. 2011-01-01 2022-03-22T14:36:36Z 2022-03-22T14:36:36Z info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://comunicacionymedios.uchile.cl/index.php/RCM/article/view/19899 10.5354/rcm.v0i24.19899 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/78716 spa https://comunicacionymedios.uchile.cl/index.php/RCM/article/view/19899/21059 application/pdf Universidad de Chile. Instituto de la Comunicación e Imagen Comunicación y Medios; Núm. 24 (2011): Estudios de cine en América Latina; Pág. 171 - 187 Comunicación y Medios; Núm. 24 (2011): Estudios de cine en América Latina; Pág. 171 - 187 0719-1529 0716-3991
spellingShingle Donoso, Catalina
Children in the Streets: Film as Movement-Translation Device
title Children in the Streets: Film as Movement-Translation Device
title_full Children in the Streets: Film as Movement-Translation Device
title_fullStr Children in the Streets: Film as Movement-Translation Device
title_full_unstemmed Children in the Streets: Film as Movement-Translation Device
title_short Children in the Streets: Film as Movement-Translation Device
title_sort children in the streets: film as movement-translation device
url https://comunicacionymedios.uchile.cl/index.php/RCM/article/view/19899
http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/78716