Biblioteca Digital de VanguardiaApproach to four creations dealing with Manuel Rodríguez from the point of view of silent movies times journalism critique and pre cinema era journalism critique .
An approach to three silent movies is dealt together (1925; 1920; 1910) with a visual show of the pre-cinema era (1824), all of this is referred to Manuel Rodriguez. The analysis is centered in understanding through a delimited linguistic study of how they are referred to in printed texts of those d...
| Autores principales: | , |
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| Formato: | info:eu-repo/semantics/article |
| Lenguaje: | Español |
| Publicado: |
Universidad de Chile. Instituto de la Comunicación e Imagen
2012
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| Acceso en línea: | https://comunicacionymedios.uchile.cl/index.php/RCM/article/view/26117 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/78687 |
| Sumario: | An approach to three silent movies is dealt together (1925; 1920; 1910) with a visual show of the pre-cinema era (1824), all of this is referred to Manuel Rodriguez. The analysis is centered in understanding through a delimited linguistic study of how they are referred to in printed texts of those days. Journalism records allow a rapprochement to the birth of cinema critique in Chile from a theme axis interested in its emergence and evolution. The main conclusions show a progressive delimitation on the part of the critique of the working areas involved in the creation, as much as a gradual differentiation between the theatrical and the cinematic acting. Furthermore, any negative consideration is diminished apart and is giving human actions to the visual material as a way of being able to define it in a more concrete manner. |
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