Documentary film studies and the cuestion of the real

The question of what is real has been a constant for the sciences. Film studies since the early days not only have had to deal with the question of what is real, but also with the plight of this "industrial art" highlighted by Gilles Deleuze, according to which the film is definitely not a...

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Autor principal: Campo, Javier
Formato: info:eu-repo/semantics/article
Lenguaje:Español
Publicado: Universidad de Chile. Instituto de la Comunicación e Imagen 2011
Acceso en línea:https://comunicacionymedios.uchile.cl/index.php/RCM/article/view/19909
http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/78153
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author Campo, Javier
author_facet Campo, Javier
author_sort Campo, Javier
collection Repositorio
description The question of what is real has been a constant for the sciences. Film studies since the early days not only have had to deal with the question of what is real, but also with the plight of this "industrial art" highlighted by Gilles Deleuze, according to which the film is definitely not an art or a science. The documentary film inevitably brings to the fore the question of what is real, and it is urgent for researchers who intend to work with their films. This field of study is also divided between those who skip the real problem as the "visible" and who, in more recent studies, consider the real documented as a construction. The purpose of this work is to recover the film studies that purport to provide answers to this question for the real to lead the twin problems facing the documentary studies: (1) by studying a cinema (2) of the real.
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spelling clacso-CLACSO781532022-03-22T14:35:46Z Documentary film studies and the cuestion of the real Los estudios de cine documental y la cuestión de lo real Campo, Javier The question of what is real has been a constant for the sciences. Film studies since the early days not only have had to deal with the question of what is real, but also with the plight of this "industrial art" highlighted by Gilles Deleuze, according to which the film is definitely not an art or a science. The documentary film inevitably brings to the fore the question of what is real, and it is urgent for researchers who intend to work with their films. This field of study is also divided between those who skip the real problem as the "visible" and who, in more recent studies, consider the real documented as a construction. The purpose of this work is to recover the film studies that purport to provide answers to this question for the real to lead the twin problems facing the documentary studies: (1) by studying a cinema (2) of the real. La pregunta por lo real ha sido una constante para las ciencias. Los estudios sobre cine desde los primeros tiempos no solamente han tenido que lidiar con la pregunta por lo real, sino además con la difícil condición de ese "arte industrial" destacada por Gilles Deleuze, según la cual el cine no es definitivamente ni un arte ni una ciencia. El cine documental pone indefectiblemente sobre el tapete la pregunta por lo real, y ésta resulta impostergable para los investigadores que pretenden trabajar con sus obras. Este campo de estudios se divide también entre aquellos que saltan el problema de lo real como lo "visible" y quienes, en estudios más recientes, consideran a lo real documentado como una construcción. El propósito de este trabajo es recuperar los estudios sobre cine que pretendieron dar respuestas a esta pregunta por lo real para dirigirlos al doble problema que enfrentan los estudios sobre el documental: (1) por estudiar a un cine (2) de lo real. 2011-01-01 2022-03-22T14:35:46Z 2022-03-22T14:35:46Z info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://comunicacionymedios.uchile.cl/index.php/RCM/article/view/19909 10.5354/rcm.v0i24.19909 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/78153 spa https://comunicacionymedios.uchile.cl/index.php/RCM/article/view/19909/21067 application/pdf Universidad de Chile. Instituto de la Comunicación e Imagen Comunicación y Medios; Núm. 24 (2011): Estudios de cine en América Latina; Pág. 273 - 284 Comunicación y Medios; Núm. 24 (2011): Estudios de cine en América Latina; Pág. 273 - 284 0719-1529 0716-3991
spellingShingle Campo, Javier
Documentary film studies and the cuestion of the real
title Documentary film studies and the cuestion of the real
title_full Documentary film studies and the cuestion of the real
title_fullStr Documentary film studies and the cuestion of the real
title_full_unstemmed Documentary film studies and the cuestion of the real
title_short Documentary film studies and the cuestion of the real
title_sort documentary film studies and the cuestion of the real
url https://comunicacionymedios.uchile.cl/index.php/RCM/article/view/19909
http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/78153