Negros saberes em festa: Ilê Aiyê e Olodum e suas (trans)formações
This article discusses African blocks from the Salvador Carnival and their contributions to education and ethnic and racial relations with an emphasis on the positive valuation of Afro-Brazilian subjects, Ilê Aiyê and Olodum. We consider historical violence arising from racism aimed at black women a...
Autores principales: | , |
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Formato: | info:eu-repo/semantics/article |
Lenguaje: | Portugués |
Publicado: |
Universidade de São Paulo | Escola de Comunicações e Artes
2020
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Materias: | |
Acceso en línea: | https://www.revistas.usp.br/extraprensa/article/view/173597 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/77418 |
Sumario: | This article discusses African blocks from the Salvador Carnival and their contributions to education and ethnic and racial relations with an emphasis on the positive valuation of Afro-Brazilian subjects, Ilê Aiyê and Olodum. We consider historical violence arising from racism aimed at black women and men, in the Brazilian context and generating the need to reiterate discourses against such a situation. We carried out bibliographic research, from contemporary productions on the subject and we also analyzed the information collected based on theoretical and critical foundation in dialogue with the subject in focus. It is possible to understand the representation of black cultures in Carnival, education for ethnic and racial relations in own institutions, black musical productions and production of didactic materials for the affirmation of black identities as contributions by Ilê Aiyê and Olodum, regarding education and ethnic and racial relations. |
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