Biblioteca Digital de VanguardiaThe patriarchal speech through brazilian popular music: an analysis of the missionary songs of the 20th century
This article intends to conduct a preliminary discussion about the female representations contained in Brazilian songs of different musical genres that became popular in the country in the middle of the 20th century. Supported by feminist theory, the reflections intend to analyze the following songs...
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| Formato: | info:eu-repo/semantics/article |
| Lenguaje: | Portugués |
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Faculdade de Filosofia e Ciências
2018
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| Acceso en línea: | https://revistas.marilia.unesp.br/index.php/RIPPMAR/article/view/8121 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/73737 |
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| author | Ribeiro, Arilda Ines Miranda Ponciano, Jéssica Kurak |
| author_facet | Ribeiro, Arilda Ines Miranda Ponciano, Jéssica Kurak |
| author_sort | Ribeiro, Arilda Ines Miranda |
| collection | Repositorio |
| description | This article intends to conduct a preliminary discussion about the female representations contained in Brazilian songs of different musical genres that became popular in the country in the middle of the 20th century. Supported by feminist theory, the reflections intend to analyze the following songs contained in the popular local songbook: “Morocha”, by Mauro Ferreira and Roberto S. Ferreira; “Mulher Indigesta” by Noel Rosa; “Cabocla Tereza”, by João Pacífico; “Me Lambe” by Raimundos and “Mulher Vulgar”, by Racionais Mc’s explaining the patriarchal discourses related to them, in order to prove that patriarchal culture is naturalized through musical culture in Brazil. In this sense, each music chosen for analysis belongs to a distinct musical genre, a fact that corroborates the prerogative that misogyny permeates all musical styles, which express plural and distinct cultures. Each of the evaluated songs brings a different perspective on the feminine image, however, they have in common the fact of depreciating the woman, placing it in a position of inferiority in relation to the man. The androcentric vision reiterated and propelled through the popular songbook, perpetuates a culture of exclusion and violence against women, in this sense, it is proposed through these discussions, contribute to the deconstruction of a stereotyped and conventionalist view of gender roles.
Submissão: 2018-03-15
Aceito: 2018-07-25 |
| format | info:eu-repo/semantics/article |
| id | clacso-CLACSO73737 |
| institution | CLACSO, Repositorio Digital |
| language | Portugués |
| publishDate | 2018 |
| publisher | Faculdade de Filosofia e Ciências |
| record_format | greenstone |
| spelling | clacso-CLACSO737372022-03-21T18:11:42Z The patriarchal speech through brazilian popular music: an analysis of the missionary songs of the 20th century O discurso patriarcal através da música popular brasileira: uma análise das canções misóginas do século XX Ribeiro, Arilda Ines Miranda Ponciano, Jéssica Kurak Música Brasileira Feminismo Música Popular Gênero Mulheres This article intends to conduct a preliminary discussion about the female representations contained in Brazilian songs of different musical genres that became popular in the country in the middle of the 20th century. Supported by feminist theory, the reflections intend to analyze the following songs contained in the popular local songbook: “Morocha”, by Mauro Ferreira and Roberto S. Ferreira; “Mulher Indigesta” by Noel Rosa; “Cabocla Tereza”, by João Pacífico; “Me Lambe” by Raimundos and “Mulher Vulgar”, by Racionais Mc’s explaining the patriarchal discourses related to them, in order to prove that patriarchal culture is naturalized through musical culture in Brazil. In this sense, each music chosen for analysis belongs to a distinct musical genre, a fact that corroborates the prerogative that misogyny permeates all musical styles, which express plural and distinct cultures. Each of the evaluated songs brings a different perspective on the feminine image, however, they have in common the fact of depreciating the woman, placing it in a position of inferiority in relation to the man. The androcentric vision reiterated and propelled through the popular songbook, perpetuates a culture of exclusion and violence against women, in this sense, it is proposed through these discussions, contribute to the deconstruction of a stereotyped and conventionalist view of gender roles. Submissão: 2018-03-15 Aceito: 2018-07-25 O presente artigo pretende realizar uma discussão preliminar acerca das representações femininas contidas em canções brasileiras de diferentes gêneros musicais que popularizaram-se no país, em meados do século XX. Subsidiada pela teoria feminista, as reflexões pretendem analisar as seguintes músicas contidas no cancioneiro local popular: “Morocha”, de Mauro Ferreira e Roberto S. Ferreira; “Mulher Indigesta”, de Noel Rosa; “Cabocla Tereza”, de João Pacífico; “Me Lambe”, da banda Raimundos e “Mulheres Vulgares”, dos Racionais Mc’s explicitando os discursos patriarcais à elas relacionados, a fim de comprovar que a cultura patriarcal se naturaliza através da cultura musical no Brasil. Neste sentido, cada música eleita para a análise pertence a um gênero musical distinto, fato que corrobora com a prerrogativa de que a misoginia perpassa por todos os estilos musicais, que expressam culturas plurais e distintas. Cada uma das canções avaliadas trazem uma perspectiva diferente sobre a imagem feminina, entretanto, possuem em comum o fato de depreciarem a mulher, colocando-a em uma posição de inferioridade em relação ao homem. A visão androcêntrica reiterada e propalada através do cancioneiro popular, perpetua uma cultura de exclusão e violência contra as mulheres, neste sentido, propõem-se através destas discussões, contribuir para a desconstrução de uma visão estereotipada e convencionalista dos papéis de gênero. Submissão: 2018-03-15 Aceito: 2018-07-25 2018-08-15 2022-03-21T18:11:42Z 2022-03-21T18:11:42Z info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://revistas.marilia.unesp.br/index.php/RIPPMAR/article/view/8121 10.33027/2447-780X.2018.v4.n1.02.p9 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/73737 por https://revistas.marilia.unesp.br/index.php/RIPPMAR/article/view/8121/5212 Copyright (c) 2018 Revista do Instituto de Políticas Públicas de Marília application/pdf Faculdade de Filosofia e Ciências Revista do Instituto de Políticas Públicas de Marília; v. 4 n. 1 (2018); 9-24 2447-780X |
| spellingShingle | Música Brasileira Feminismo Música Popular Gênero Mulheres Ribeiro, Arilda Ines Miranda Ponciano, Jéssica Kurak The patriarchal speech through brazilian popular music: an analysis of the missionary songs of the 20th century |
| title | The patriarchal speech through brazilian popular music: an analysis of the missionary songs of the 20th century |
| title_full | The patriarchal speech through brazilian popular music: an analysis of the missionary songs of the 20th century |
| title_fullStr | The patriarchal speech through brazilian popular music: an analysis of the missionary songs of the 20th century |
| title_full_unstemmed | The patriarchal speech through brazilian popular music: an analysis of the missionary songs of the 20th century |
| title_short | The patriarchal speech through brazilian popular music: an analysis of the missionary songs of the 20th century |
| title_sort | patriarchal speech through brazilian popular music: an analysis of the missionary songs of the 20th century |
| topic | Música Brasileira Feminismo Música Popular Gênero Mulheres |
| url | https://revistas.marilia.unesp.br/index.php/RIPPMAR/article/view/8121 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/73737 |