Biblioteca Digital de VanguardiaDa intersubjetividade transcendental à intersubjetividade prática: uma abordagem sócio-psicológica da estética musical kantiana
It is well known that Kant’s aesthetics is framed intersubjectively because he upholds the claim of taste to universality. However, the transcendental foundation of this shared universality is a supersensible ground which is taken for granted but which cannot be brought directly into communicative e...
| Autor principal: | |
|---|---|
| Formato: | info:eu-repo/semantics/article |
| Lenguaje: | Portugués |
| Publicado: |
Faculdade de Filosofia e Ciências
2010
|
| Acceso en línea: | https://revistas.marilia.unesp.br/index.php/transformacao/article/view/1024 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/73177 |
| _version_ | 1782335515657240576 |
|---|---|
| author | Torriani, Tristan |
| author_facet | Torriani, Tristan |
| author_sort | Torriani, Tristan |
| collection | Repositorio |
| description | It is well known that Kant’s aesthetics is framed intersubjectively because he upholds the claim of taste to universality. However, the transcendental foundation of this shared universality is a supersensible ground which is taken for granted but which cannot be brought directly into communicative experience. Kant’s reliance on the synthetic a priori structure of aesthetic judgment also removes it from the sphere of observable personal interaction. This argumentative strategy exposes it to skeptical challenge and generates inaccessible references to inner representations (be they intuitions, categories of the understanding or rational ideas). It is not sufficient, as Kant did, to propose a description of aesthetic experience that is subjectively plausible and thereby claim its intersubjective validity. It is indispensable to embody intersubjectivity in behavior and language. In practical intersubjectivity, aesthetic attitudes are dealt with in a concrete and accessible manner without relying on mentalistic assumptions as a foundation. Conceptual terms such as ‘agreeable’, ‘beauty’, ‘sublime’, ‘ugly’, ‘universality’ acquire new meaning |
| format | info:eu-repo/semantics/article |
| id | clacso-CLACSO73177 |
| institution | CLACSO, Repositorio Digital |
| language | Portugués |
| publishDate | 2010 |
| publisher | Faculdade de Filosofia e Ciências |
| record_format | greenstone |
| spelling | clacso-CLACSO731772022-03-21T18:05:22Z Da intersubjetividade transcendental à intersubjetividade prática: uma abordagem sócio-psicológica da estética musical kantiana Torriani, Tristan It is well known that Kant’s aesthetics is framed intersubjectively because he upholds the claim of taste to universality. However, the transcendental foundation of this shared universality is a supersensible ground which is taken for granted but which cannot be brought directly into communicative experience. Kant’s reliance on the synthetic a priori structure of aesthetic judgment also removes it from the sphere of observable personal interaction. This argumentative strategy exposes it to skeptical challenge and generates inaccessible references to inner representations (be they intuitions, categories of the understanding or rational ideas). It is not sufficient, as Kant did, to propose a description of aesthetic experience that is subjectively plausible and thereby claim its intersubjective validity. It is indispensable to embody intersubjectivity in behavior and language. In practical intersubjectivity, aesthetic attitudes are dealt with in a concrete and accessible manner without relying on mentalistic assumptions as a foundation. Conceptual terms such as ‘agreeable’, ‘beauty’, ‘sublime’, ‘ugly’, ‘universality’ acquire new meaning 2010-01-10 2022-03-21T18:05:22Z 2022-03-21T18:05:22Z info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://revistas.marilia.unesp.br/index.php/transformacao/article/view/1024 10.1590/S0101-31732010000100007 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/73177 por https://revistas.marilia.unesp.br/index.php/transformacao/article/view/1024/923 Copyright (c) 2021 TRANS/FORM/AÇÃO: Revista de Filosofia http://creativecommons.org/licenses/by/4.0 application/pdf Faculdade de Filosofia e Ciências TRANS/FORM/AÇÃO: Revista de Filosofia; Vol. 33 No. 1 (2010); 125-154 TRANS/FORM/AÇÃO: Revista de Filosofia; v. 33 n. 1 (2010); 125-154 1980-539X 0101-3173 |
| spellingShingle | Torriani, Tristan Da intersubjetividade transcendental à intersubjetividade prática: uma abordagem sócio-psicológica da estética musical kantiana |
| title | Da intersubjetividade transcendental à intersubjetividade prática: uma abordagem sócio-psicológica da estética musical kantiana |
| title_full | Da intersubjetividade transcendental à intersubjetividade prática: uma abordagem sócio-psicológica da estética musical kantiana |
| title_fullStr | Da intersubjetividade transcendental à intersubjetividade prática: uma abordagem sócio-psicológica da estética musical kantiana |
| title_full_unstemmed | Da intersubjetividade transcendental à intersubjetividade prática: uma abordagem sócio-psicológica da estética musical kantiana |
| title_short | Da intersubjetividade transcendental à intersubjetividade prática: uma abordagem sócio-psicológica da estética musical kantiana |
| title_sort | da intersubjetividade transcendental à intersubjetividade prática: uma abordagem sócio-psicológica da estética musical kantiana |
| url | https://revistas.marilia.unesp.br/index.php/transformacao/article/view/1024 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/73177 |