Biblioteca Digital de VanguardiaAesthetics of resistance and the documentary (document 02): The Dance of Friendship - Stories of Urucungos, Puiat and Quijengues
The “Afro-Campineira Trilogy” contains three documentary achievements, in which I directed and participated in different stages of production. There are three short films focused on protagonists of cultural, religious and artistic processes, all defenders of manifestations of African origins and the...
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| Formato: | info:eu-repo/semantics/article |
| Lenguaje: | Portugués |
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Faculdade de Educação/Universidade Estadual de Campinas
2020
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| Acceso en línea: | https://econtents.bc.unicamp.br/inpec/index.php/ridphe/article/view/14828 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/68821 |
| _version_ | 1782335542510223360 |
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| author | Sobrinho, Gilberto Alexandre |
| author_facet | Sobrinho, Gilberto Alexandre |
| author_sort | Sobrinho, Gilberto Alexandre |
| collection | Repositorio |
| description | The “Afro-Campineira Trilogy” contains three documentary achievements, in which I directed and participated in different stages of production. There are three short films focused on protagonists of cultural, religious and artistic processes, all defenders of manifestations of African origins and their potent hybridization, located in the metropolitan region of Campinas-SP. The films are Diário de Exus (2015), The Dance of Friendship, Stories of Urucungos, Puítas and Quijengues (2016) and The Rainbow House Woman (2017/2018). In the films, it is developed what I call “the aesthetics of resistance”, prioritizing Afro-diasporic narratives, in a creative process in which aesthetics and politics converge. Aesthetically, the documentary converges the processes of observation, participation (interview), performance and poetry, in a set of images and sounds centered on people and spaces that are organized communally around Afro-centered codes. Politically, the role of culture and religion in the affirmation and identity construction of the black people in Brazil is emphasized, which thickens the understanding of the role of culture in the resistance of a people. This text documents the process of making the second short film in the trilogy, it is The Dance of Friendship - Stories of Urucungos, Puítas and Quijengues. |
| format | info:eu-repo/semantics/article |
| id | clacso-CLACSO68821 |
| institution | CLACSO, Repositorio Digital |
| language | Portugués |
| publishDate | 2020 |
| publisher | Faculdade de Educação/Universidade Estadual de Campinas |
| record_format | greenstone |
| spelling | clacso-CLACSO688212022-03-21T15:10:43Z Aesthetics of resistance and the documentary (document 02): The Dance of Friendship - Stories of Urucungos, Puiat and Quijengues Estética de la resistencia y el documental (documento 02): La Danza de la Amistad - Historias de Urucungos, Puitas y Quijengues Esthétique de la résistance et du documentaire (document 02): La danse de l'amitié - Histoires d'Urucungos, Puítas et Quijengues Estéticas das resistências e o documentário (documento 02): a dança da amizade – histórias de Urucungos, Puítas e Quijengues Sobrinho, Gilberto Alexandre Documental La Danza de la Amistad Trilogia Afro-campineira Documentaire La Danse de l'amitié Trilogie Afro-campineira Documentário A Dança da Amizade Trilogia Afro-campineira Documentary The dance of friendship Afro-campineira Trilogy The “Afro-Campineira Trilogy” contains three documentary achievements, in which I directed and participated in different stages of production. There are three short films focused on protagonists of cultural, religious and artistic processes, all defenders of manifestations of African origins and their potent hybridization, located in the metropolitan region of Campinas-SP. The films are Diário de Exus (2015), The Dance of Friendship, Stories of Urucungos, Puítas and Quijengues (2016) and The Rainbow House Woman (2017/2018). In the films, it is developed what I call “the aesthetics of resistance”, prioritizing Afro-diasporic narratives, in a creative process in which aesthetics and politics converge. Aesthetically, the documentary converges the processes of observation, participation (interview), performance and poetry, in a set of images and sounds centered on people and spaces that are organized communally around Afro-centered codes. Politically, the role of culture and religion in the affirmation and identity construction of the black people in Brazil is emphasized, which thickens the understanding of the role of culture in the resistance of a people. This text documents the process of making the second short film in the trilogy, it is The Dance of Friendship - Stories of Urucungos, Puítas and Quijengues. La “Trilogía Afro-Campineira” contiene tres documentales, en los que dirigí y participé en diferentes etapas de producción. Son tres cortometrajes enfocados a protagonistas de procesos culturales, religiosos y artísticos, todos defensores de manifestaciones de origen africano y sus potentes híbridos, ubicados en la región metropolitana de Campinas-SP. Las películas son Diário de Exus (2015), The Dance of Friendship, Stories of Urucungos, Puítas and Quijengues (2016) y La mujer de la casa arcoiris. En las películas se desarrolla lo que llamo “la estética de la resistencia”, priorizando las narrativas afro-diaspóricas, en un proceso creativo en el que confluyen estética y política. Estéticamente, el documental converge los procesos de observación, participación (entrevista), performance y poesía, en un conjunto de imágenes y sonidos centrados en personas y espacios que se organizan comunalmente en torno a códigos afrocéntricos. Políticamente, se enfatiza el papel de la cultura y la religión en la afirmación y construcción de la identidad del pueblo negro en Brasil, lo que profundiza la comprensión del papel de la cultura en la resistencia de un pueblo. Este texto documenta el proceso de realización del segundo cortometraje de la trilogía, La danza de la amistad - Historias de Urucungos, Puítas y Quijengues. La «Trilogie Afro-Campineira» contient trois réalisations documentaires, dans lesquelles j'ai réalisé et participé à différentes étapes de production. Il y a trois courts métrages axés sur des protagonistes des processus culturels, religieux et artistiques, tous défenseurs des manifestations d'origine africaine et de leurs puissants hybrides, situés dans la région métropolitaine de Campinas-SP. Les films sont Diário de Exus (2015), La danse de l'amitié, Histoires d'Urucungos, Puítas et Quijengues (2016) et La femme de Casa do Arco-Íris (2017/2018). Dans les films, ce que j'appelle «l'esthétique de la résistance» se développe, en privilégiant les récits afro-diasporiques, dans un processus créatif où convergent esthétique et politique. Esthétiquement, le documentaire fait converger les processus d'observation, de participation (entretien), de performance et de poésie, dans un ensemble d'images et de sons centrés sur des personnes et des espaces qui s'organisent en commun autour de codes afro-centrés. Politiquement, le rôle de la culture et de la religion dans l'affirmation et la construction identitaire du peuple noir au Brésil est souligné, ce qui épaissit la compréhension du rôle de la culture dans la résistance d'un peuple. Ce texte documente le processus de réalisation du deuxième court métrage de la trilogie, il s'agit de La danse de l'amitié - Histoires d'Urucungos, Puítas et Quijengues. Na “Trilogia Afro-Campineira” constam três realizações em documentário, em que dirigi e participei de diferentes estágios da produção. São três curtas-metragens focados em protagonistas de processos culturais, religiosos e artísticos, todos defensores de manifestações de matrizes africanas e seus potentes hibridismos, alocados na região metropolitana de Campinas-SP. Os filmes são Diário de Exus (2015), A Dança da Amizade, Histórias de Urucungos, Puítas e Quijengues (2016) e A Mulher da Casa do Arco-Íris (2017/2018). Desenvolvem-se, nos filmes, o que nomeio como as “estéticas das resistências”, priorizando narrativas afro-diaspóricas, num processo de criação em que confluem estética e política. Esteticamente, o documentário faz convergir os processos de observação, participação (entrevista), performance e poesia, num conjunto de imagens e sons centrados em pessoas e espaços que se organizam comunitariamente em torno de códigos afrocentrados. Politicamente, realçam-se o papel da cultura e da religião na afirmação e construção identitária do povo negro, no Brasil, o que adensa a compreensão do papel da cultura na resistência de um povo. Esse texto documenta o processo de realização do segundo curta-metragem da trilogia, trata-se de A Dança da Amizade – Histórias de Urucungos, Puítas e Quijengues. 2020-12-22 2022-03-21T15:10:43Z 2022-03-21T15:10:43Z info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion texto https://econtents.bc.unicamp.br/inpec/index.php/ridphe/article/view/14828 10.20888/ridpher.v6i00.14828 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/68821 por https://econtents.bc.unicamp.br/inpec/index.php/ridphe/article/view/14828/9831 Copyright (c) 2020 RIDPHE_R Revista Iberoamericana do Patrimônio Histórico-Educativo https://creativecommons.org/licenses/by/4.0 application/pdf português Faculdade de Educação/Universidade Estadual de Campinas Ridphe_R, Ibero-American Journal of Historical-Educational Patrimony; Vol. 6 (2020): Publicação Contínua ; e020026 RIDPHE_R Revista Iberoamericana do Patrimônio Histórico-Educativo; Vol. 6 (2020): Publicação Contínua ; e020026 RIDPHE_R Revista Iberoamericana do Patrimônio Histórico-Educativo; v. 6 (2020): Publicação Contínua ; e020026 2447-746X |
| spellingShingle | Documental La Danza de la Amistad Trilogia Afro-campineira Documentaire La Danse de l'amitié Trilogie Afro-campineira Documentário A Dança da Amizade Trilogia Afro-campineira Documentary The dance of friendship Afro-campineira Trilogy Sobrinho, Gilberto Alexandre Aesthetics of resistance and the documentary (document 02): The Dance of Friendship - Stories of Urucungos, Puiat and Quijengues |
| title | Aesthetics of resistance and the documentary (document 02): The Dance of Friendship - Stories of Urucungos, Puiat and Quijengues |
| title_full | Aesthetics of resistance and the documentary (document 02): The Dance of Friendship - Stories of Urucungos, Puiat and Quijengues |
| title_fullStr | Aesthetics of resistance and the documentary (document 02): The Dance of Friendship - Stories of Urucungos, Puiat and Quijengues |
| title_full_unstemmed | Aesthetics of resistance and the documentary (document 02): The Dance of Friendship - Stories of Urucungos, Puiat and Quijengues |
| title_short | Aesthetics of resistance and the documentary (document 02): The Dance of Friendship - Stories of Urucungos, Puiat and Quijengues |
| title_sort | aesthetics of resistance and the documentary (document 02): the dance of friendship - stories of urucungos, puiat and quijengues |
| topic | Documental La Danza de la Amistad Trilogia Afro-campineira Documentaire La Danse de l'amitié Trilogie Afro-campineira Documentário A Dança da Amizade Trilogia Afro-campineira Documentary The dance of friendship Afro-campineira Trilogy |
| url | https://econtents.bc.unicamp.br/inpec/index.php/ridphe/article/view/14828 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/68821 |