Totalitarism in The Handmaid’s Tale: between manipulation and programming

In this paper, based on the regimes of meaning and interaction from sociosemiotics theory (LANDOWSKI, 2014), we aim to understand how the totalitarian regime of Gilead, a fictional nation in the dystopian series The Handmaid’s Tale, is constituted, taking as object of analysis the first episode, ent...

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Detalles Bibliográficos
Autores principales: Resende, Natália Silva Giarola de, Mendes, Conrado Moreira
Formato: info:eu-repo/semantics/article
Lenguaje:Portugués
Publicado: Faculdade de Ciências e Letras - Unesp - Araraquara. 2020
Materias:
Acceso en línea:https://periodicos.fclar.unesp.br/cadernos/article/view/14195
http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/65522
Descripción
Sumario:In this paper, based on the regimes of meaning and interaction from sociosemiotics theory (LANDOWSKI, 2014), we aim to understand how the totalitarian regime of Gilead, a fictional nation in the dystopian series The Handmaid’s Tale, is constituted, taking as object of analysis the first episode, entitled Offred. From the articulation between the theoretical foundations – totalitarianism (ARENDT, 2012; NEUMANN, 1969; TURPIN, 2012) and sociosemiotics – and the reflections resulting from the analysis, we verified that both the manipulation and programming regimes legitimize the conservation of the totalitarian state.