Biblioteca Digital de VanguardiaBetween artists and not atistis, a sociological anslysis of production and the misical biography of Raul Seixas
Between the two extremes represented by the artists and their production, a number of historical subjects engage theirselves in the aesthetics of the artist’s creations. In this work, we came to do an analysis of the biography of Raul Seixas, supported by a methodology proposed by Pierre Bourdieu, w...
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| Formato: | info:eu-repo/semantics/article |
| Lenguaje: | Portugués |
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Faculdade de Ciências e Letras - Unesp - Araraquara.
2012
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| Acceso en línea: | https://periodicos.fclar.unesp.br/cadernos/article/view/5142 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/65194 |
| _version_ | 1782337479921106944 |
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| author | Souza, Lucas Marcelo Tomaz de |
| author_facet | Souza, Lucas Marcelo Tomaz de |
| author_sort | Souza, Lucas Marcelo Tomaz de |
| collection | Repositorio |
| description | Between the two extremes represented by the artists and their production, a number of historical subjects engage theirselves in the aesthetics of the artist’s creations. In this work, we came to do an analysis of the biography of Raul Seixas, supported by a methodology proposed by Pierre Bourdieu, which places the creative artist in the foreground, in order to understand how the social legacy of the singer, arising from family relationships, might outline specifics aspects on his music production. In the same perspective, we intent to reflect how historical subjects, such as music producers, marketers, labels as well as radio, television and other means of communication, could direct the musical production of the singer from the consolidation of a market for symbolic goods in Brazil. Thus, we will think about the structuring of the field of Brazilian music during the seventies, and especially the singer’s position and rock inside of it, detecting how the forms of cultural production, that became legitime during the period, could prioritize forms of musicals productions able to delegate to other forms of art, strange to them, a space of inferiority within that field. To this end, we used a series of testimonials from singer, transcribed in books, magazines and newspapers, and a series of articles that address topics related directly or indirectly. |
| format | info:eu-repo/semantics/article |
| id | clacso-CLACSO65194 |
| institution | CLACSO, Repositorio Digital |
| language | Portugués |
| publishDate | 2012 |
| publisher | Faculdade de Ciências e Letras - Unesp - Araraquara. |
| record_format | greenstone |
| spelling | clacso-CLACSO651942022-03-18T19:27:29Z Between artists and not atistis, a sociological anslysis of production and the misical biography of Raul Seixas Entre artistas e não artistas, uma análise sociológica da biografia e da produção musical de Raul Seixas Souza, Lucas Marcelo Tomaz de Raul Seixas brazilian rock and brazilian popular music Raul Seixas Música popular Rock Análise biográfica Between the two extremes represented by the artists and their production, a number of historical subjects engage theirselves in the aesthetics of the artist’s creations. In this work, we came to do an analysis of the biography of Raul Seixas, supported by a methodology proposed by Pierre Bourdieu, which places the creative artist in the foreground, in order to understand how the social legacy of the singer, arising from family relationships, might outline specifics aspects on his music production. In the same perspective, we intent to reflect how historical subjects, such as music producers, marketers, labels as well as radio, television and other means of communication, could direct the musical production of the singer from the consolidation of a market for symbolic goods in Brazil. Thus, we will think about the structuring of the field of Brazilian music during the seventies, and especially the singer’s position and rock inside of it, detecting how the forms of cultural production, that became legitime during the period, could prioritize forms of musicals productions able to delegate to other forms of art, strange to them, a space of inferiority within that field. To this end, we used a series of testimonials from singer, transcribed in books, magazines and newspapers, and a series of articles that address topics related directly or indirectly. Entre os extremos representados pelos artistas e a sua produção, uma série de sujeitos históricos se envolvem nas disposições estéticas de suas criações. Neste trabalho, viemos fazer uma análise da biografia de Raul Seixas, amparados por uma metodologia proposta por Pierre Bourdieu, que coloca o artista criador em primeiro plano, de forma a compreendermos como a herança social do cantor, advinda de suas relações familiares, pôde delinear especificidades em sua produção musical. Da mesma maneira, viemos pensar de que forma sujeitos históricos, como produtores musicais, marqueteiros, gravadoras, bem como rádios, televisão, e os demais meios de comunicação, puderam direcionar a produção musical do cantor a partir da consolidação de um mercado de bens simbólicos no Brasil. Desta forma, pensaremos a estruturação do campo musical brasileiro, durante as décadas de setenta, e principalmente a posição do cantor e do rock no interior deste, detectando como as formas de produções culturais legitimadas durante o período puderam hierarquizar certas produções musicais capazes de delegar as formas de arte, a elas estranhas, um espaço de inferioridade no interior desse campo. Para tal, utilizamos uma série de depoimentos do cantor, transcritos em livros, revistas e jornais, e uma série de matérias que abordem os temas ligados direta ou indiretamente a Raul Seixas, rock nacional e música popular brasileira. 2012-08-03 2022-03-18T19:27:29Z 2022-03-18T19:27:29Z info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://periodicos.fclar.unesp.br/cadernos/article/view/5142 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/65194 por https://periodicos.fclar.unesp.br/cadernos/article/view/5142/4217 Copyright (c) 2012 Compartilhado Autor e Revista application/pdf Faculdade de Ciências e Letras - Unesp - Araraquara. Cadernos de Campo: Revista de Ciências Sociais; n. 13 (2010) 2359-2419 1415-0689 |
| spellingShingle | Raul Seixas brazilian rock and brazilian popular music Raul Seixas Música popular Rock Análise biográfica Souza, Lucas Marcelo Tomaz de Between artists and not atistis, a sociological anslysis of production and the misical biography of Raul Seixas |
| title | Between artists and not atistis, a sociological anslysis of production and the misical biography of Raul Seixas |
| title_full | Between artists and not atistis, a sociological anslysis of production and the misical biography of Raul Seixas |
| title_fullStr | Between artists and not atistis, a sociological anslysis of production and the misical biography of Raul Seixas |
| title_full_unstemmed | Between artists and not atistis, a sociological anslysis of production and the misical biography of Raul Seixas |
| title_short | Between artists and not atistis, a sociological anslysis of production and the misical biography of Raul Seixas |
| title_sort | between artists and not atistis, a sociological anslysis of production and the misical biography of raul seixas |
| topic | Raul Seixas brazilian rock and brazilian popular music Raul Seixas Música popular Rock Análise biográfica |
| url | https://periodicos.fclar.unesp.br/cadernos/article/view/5142 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/65194 |