Biblioteca Digital de VanguardiaEquivalents – Melancholy and Ecstasy in “Enivrez-vous” by Charles Baudelaire and “Vinho” by Cecília Meireles
The Cecilian poetic persona, as well as the Baudelairean, enters a state of ecstasy as it expands its creative capacity. External data are at the service of inventiveness, since they are captured by the look of who deciphers and creates – the artist. The repudiation of the limiting and common vision...
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| Formato: | info:eu-repo/semantics/article |
| Lenguaje: | Portugués |
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Lettres Françaises
2016
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| Materias: | |
| Acceso en línea: | https://periodicos.fclar.unesp.br/lettres/article/view/9044 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/63665 |
| _version_ | 1782339296123944960 |
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| author | Pires, Márcia Eliza |
| author_facet | Pires, Márcia Eliza |
| author_sort | Pires, Márcia Eliza |
| collection | Repositorio |
| description | The Cecilian poetic persona, as well as the Baudelairean, enters a state of ecstasy as it expands its creative capacity. External data are at the service of inventiveness, since they are captured by the look of who deciphers and creates – the artist. The repudiation of the limiting and common vision and the presence of melancholy as a response to the reality devoid of any inspiration are common to both poems: “Vinho” and “Enivrez-vous” – respectively found in Viagem (1939) and Spleen de Paris (1869). The ecstasy is stimulated by a device: in the poems, wine introduces a natural and transfiguring apprehension of things. Under the influence of alcohol, the Cecilian and the Baudelairean poetic personas surrender to ruminations which reveal the complex nature of their individuality, which is crushed by melancholy and by the baffling concern over their existence. In proportion to their idiosyncrasies, both poetic personas develop deep reflections about time and existential questions and celebrate when having wine, a kind of paradoxical desperate lucidity. So as not to become “the martyred slaves of Time” (BAUDELAIRE, p. 128), the Baudelairean poetic persona suggests surrendering to the state of drunkenness, and the Cecilian poetic persona acquiesces in this advice by showing compliance with various psychic and soul conditions that the poetic ecstasy fuels. |
| format | info:eu-repo/semantics/article |
| id | clacso-CLACSO63665 |
| institution | CLACSO, Repositorio Digital |
| language | Portugués |
| publishDate | 2016 |
| publisher | Lettres Françaises |
| record_format | greenstone |
| spelling | clacso-CLACSO636652022-03-18T18:38:21Z Equivalents – Melancholy and Ecstasy in “Enivrez-vous” by Charles Baudelaire and “Vinho” by Cecília Meireles Equivalências – Melancolia e Êxtase em “Enivrez-vous” de Charles Baudelaire e “Vinho” de Cecília Meireles Pires, Márcia Eliza Cecília Meireles Charles Baudelaire Drunknness Melancholy Cecília Meireles Charles Baudelaire Embriaguez Poesia The Cecilian poetic persona, as well as the Baudelairean, enters a state of ecstasy as it expands its creative capacity. External data are at the service of inventiveness, since they are captured by the look of who deciphers and creates – the artist. The repudiation of the limiting and common vision and the presence of melancholy as a response to the reality devoid of any inspiration are common to both poems: “Vinho” and “Enivrez-vous” – respectively found in Viagem (1939) and Spleen de Paris (1869). The ecstasy is stimulated by a device: in the poems, wine introduces a natural and transfiguring apprehension of things. Under the influence of alcohol, the Cecilian and the Baudelairean poetic personas surrender to ruminations which reveal the complex nature of their individuality, which is crushed by melancholy and by the baffling concern over their existence. In proportion to their idiosyncrasies, both poetic personas develop deep reflections about time and existential questions and celebrate when having wine, a kind of paradoxical desperate lucidity. So as not to become “the martyred slaves of Time” (BAUDELAIRE, p. 128), the Baudelairean poetic persona suggests surrendering to the state of drunkenness, and the Cecilian poetic persona acquiesces in this advice by showing compliance with various psychic and soul conditions that the poetic ecstasy fuels. O eu lírico ceciliano, assim como o eu lírico baudelairiano, encontrase em estado de êxtase à medida que expande sua capacidade criadora. Os dados da exterioridade encontram-se a serviço da inventividade, uma vez que são captados pelo olhar daquele que decifra e cria – o artista. O repúdio à visão limitante e comum, bem como a melancolia impulsionam a resposta à realidade desprovida de qualquer inspiração. Essa resposta encontra-se presente nos poemas “Vinho” e “Enivrez-vous” – respectivamente encontrados em Viagem (1939) e Spleen de Paris (1869). O alcance do êxtase é impulsionado por meio do artifício: no contexto dos poemas, o vinho instaura uma apreensão singular acerca das coisas. Sob o efeito do álcool, o sujeito poético de Cecília Meireles e o eu lírico de Charles Baudelaire rendem-se a elucubrações capazes de revelar a complexa natureza de suas individualidades – naturezas essas calcadas pela inquietação desconcertante perante a própria existência e pela melancolia. Na proporção de suas idiossincrasias, ambos os sujeitos poéticos tecem profundas reflexões sobre o tempo, os questionamentos existenciais e celebram – ao servir-se do vinho, uma espécie de paradoxal lucidez desesperada. Para não se tornarem “escravos martirizados do tempo” (BAUDELAIRE, p.128), o eu lírico baudelairiano sugere render-se ao estado de embriaguez e, de sua parte, o sujeito poético ceciliano aquiesce a esse conselho – mostrando conformidade às mais variadas condições anímicas e psíquicas que o êxtase poético propicia. 2016-11-03 2022-03-18T18:38:21Z 2022-03-18T18:38:21Z info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://periodicos.fclar.unesp.br/lettres/article/view/9044 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/63665 por https://periodicos.fclar.unesp.br/lettres/article/view/9044/5943 Copyright (c) 2016 Lettres Françaises application/pdf Lettres Françaises Lettres Françaises; n.17 (1), 2016 2526-2955 1414-025X |
| spellingShingle | Cecília Meireles Charles Baudelaire Drunknness Melancholy Cecília Meireles Charles Baudelaire Embriaguez Poesia Pires, Márcia Eliza Equivalents – Melancholy and Ecstasy in “Enivrez-vous” by Charles Baudelaire and “Vinho” by Cecília Meireles |
| title | Equivalents – Melancholy and Ecstasy in “Enivrez-vous” by Charles Baudelaire and “Vinho” by Cecília Meireles |
| title_full | Equivalents – Melancholy and Ecstasy in “Enivrez-vous” by Charles Baudelaire and “Vinho” by Cecília Meireles |
| title_fullStr | Equivalents – Melancholy and Ecstasy in “Enivrez-vous” by Charles Baudelaire and “Vinho” by Cecília Meireles |
| title_full_unstemmed | Equivalents – Melancholy and Ecstasy in “Enivrez-vous” by Charles Baudelaire and “Vinho” by Cecília Meireles |
| title_short | Equivalents – Melancholy and Ecstasy in “Enivrez-vous” by Charles Baudelaire and “Vinho” by Cecília Meireles |
| title_sort | equivalents – melancholy and ecstasy in “enivrez-vous” by charles baudelaire and “vinho” by cecília meireles |
| topic | Cecília Meireles Charles Baudelaire Drunknness Melancholy Cecília Meireles Charles Baudelaire Embriaguez Poesia |
| url | https://periodicos.fclar.unesp.br/lettres/article/view/9044 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/63665 |