Zola and Mocidade morta
The novel Mocidade morta (1900) by Gonzaga Duque portrays the activities of a group of bohemian artists from Rio de Janeiro in the late nineteenth century. The text presents characteristics that refer to principles developed by the aesthetic movements in vogue at the time and also suggests connectio...
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Formato: | info:eu-repo/semantics/article |
Lenguaje: | Portugués |
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Lettres Françaises
2016
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Acceso en línea: | https://periodicos.fclar.unesp.br/lettres/article/view/8401 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/63645 |
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author | Wimmer, Norma |
author_facet | Wimmer, Norma |
author_sort | Wimmer, Norma |
collection | Repositorio |
description | The novel Mocidade morta (1900) by Gonzaga Duque portrays the activities of a group of bohemian artists from Rio de Janeiro in the late nineteenth century. The text presents characteristics that refer to principles developed by the aesthetic movements in vogue at the time and also suggests connections with L’OEuvre (1886) by Zola. This article presents considerations about the two works and also seeks to identify points of convergence and divergence between them. |
format | info:eu-repo/semantics/article |
id | clacso-CLACSO63645 |
institution | CLACSO, Repositorio Digital |
language | Portugués |
publishDate | 2016 |
publisher | Lettres Françaises |
record_format | greenstone |
spelling | clacso-CLACSO636452022-03-18T18:38:20Z Zola and Mocidade morta Zola e Mocidade morta Wimmer, Norma Gonzaga Duque Zola L’OEuvre Gonzaga Duque Mocidade morta Zola L’OEuvre The novel Mocidade morta (1900) by Gonzaga Duque portrays the activities of a group of bohemian artists from Rio de Janeiro in the late nineteenth century. The text presents characteristics that refer to principles developed by the aesthetic movements in vogue at the time and also suggests connections with L’OEuvre (1886) by Zola. This article presents considerations about the two works and also seeks to identify points of convergence and divergence between them. O romance Mocidade morta (1900), de Gonzaga Duque, retrata as atividades de um grupo de artistas boêmios do Rio de Janeiro do final do século XIX. O texto apresenta marcas que o remetem aos preceitos desenvolvidos pelos movimentos estéticos em voga na época e também sugerem sua filiação a L’OEuvre (1886), de Zola. O presente artigo tece considerações acerca das duas obras e também busca apontar pontos de convergência e de divergência entre ambas. 2016-02-29 2022-03-18T18:38:20Z 2022-03-18T18:38:20Z info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://periodicos.fclar.unesp.br/lettres/article/view/8401 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/63645 por https://periodicos.fclar.unesp.br/lettres/article/view/8401/5658 Copyright (c) 2016 Lettres Françaises application/pdf Lettres Françaises Lettres Françaises; n.16 (1), 2015 2526-2955 1414-025X |
spellingShingle | Gonzaga Duque Zola L’OEuvre Gonzaga Duque Mocidade morta Zola L’OEuvre Wimmer, Norma Zola and Mocidade morta |
title | Zola and Mocidade morta |
title_full | Zola and Mocidade morta |
title_fullStr | Zola and Mocidade morta |
title_full_unstemmed | Zola and Mocidade morta |
title_short | Zola and Mocidade morta |
title_sort | zola and mocidade morta |
topic | Gonzaga Duque Zola L’OEuvre Gonzaga Duque Mocidade morta Zola L’OEuvre |
url | https://periodicos.fclar.unesp.br/lettres/article/view/8401 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/63645 |