Zola and Mocidade morta

The novel Mocidade morta (1900) by Gonzaga Duque portrays the activities of a group of bohemian artists from Rio de Janeiro in the late nineteenth century. The text presents characteristics that refer to principles developed by the aesthetic movements in vogue at the time and also suggests connectio...

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Detalles Bibliográficos
Autor principal: Wimmer, Norma
Formato: info:eu-repo/semantics/article
Lenguaje:Portugués
Publicado: Lettres Françaises 2016
Materias:
Acceso en línea:https://periodicos.fclar.unesp.br/lettres/article/view/8401
http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/63645
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author Wimmer, Norma
author_facet Wimmer, Norma
author_sort Wimmer, Norma
collection Repositorio
description The novel Mocidade morta (1900) by Gonzaga Duque portrays the activities of a group of bohemian artists from Rio de Janeiro in the late nineteenth century. The text presents characteristics that refer to principles developed by the aesthetic movements in vogue at the time and also suggests connections with L’OEuvre (1886) by Zola. This article presents considerations about the two works and also seeks to identify points of convergence and divergence between them.
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spelling clacso-CLACSO636452022-03-18T18:38:20Z Zola and Mocidade morta Zola e Mocidade morta Wimmer, Norma Gonzaga Duque Zola L’OEuvre Gonzaga Duque Mocidade morta Zola L’OEuvre The novel Mocidade morta (1900) by Gonzaga Duque portrays the activities of a group of bohemian artists from Rio de Janeiro in the late nineteenth century. The text presents characteristics that refer to principles developed by the aesthetic movements in vogue at the time and also suggests connections with L’OEuvre (1886) by Zola. This article presents considerations about the two works and also seeks to identify points of convergence and divergence between them. O romance Mocidade morta (1900), de Gonzaga Duque, retrata as atividades de um grupo de artistas boêmios do Rio de Janeiro do final do século XIX. O texto apresenta marcas que o remetem aos preceitos desenvolvidos pelos movimentos estéticos em voga na época e também sugerem sua filiação a L’OEuvre (1886), de Zola. O presente artigo tece considerações acerca das duas obras e também busca apontar pontos de convergência e de divergência entre ambas. 2016-02-29 2022-03-18T18:38:20Z 2022-03-18T18:38:20Z info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://periodicos.fclar.unesp.br/lettres/article/view/8401 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/63645 por https://periodicos.fclar.unesp.br/lettres/article/view/8401/5658 Copyright (c) 2016 Lettres Françaises application/pdf Lettres Françaises Lettres Françaises; n.16 (1), 2015 2526-2955 1414-025X
spellingShingle Gonzaga Duque
Zola
L’OEuvre
Gonzaga Duque
Mocidade morta
Zola
L’OEuvre
Wimmer, Norma
Zola and Mocidade morta
title Zola and Mocidade morta
title_full Zola and Mocidade morta
title_fullStr Zola and Mocidade morta
title_full_unstemmed Zola and Mocidade morta
title_short Zola and Mocidade morta
title_sort zola and mocidade morta
topic Gonzaga Duque
Zola
L’OEuvre
Gonzaga Duque
Mocidade morta
Zola
L’OEuvre
url https://periodicos.fclar.unesp.br/lettres/article/view/8401
http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/63645