Allegorical Narratives of the Vietnam War

In this article, the allegorical narrative is examined as a type of extended metaphor in which one simultaneous or parallel narrative structure is maintained together with another, one less “visible” or literal than the other. Three American novels of the period of the Vietnam War are analyzed as ex...

Descripción completa

Detalles Bibliográficos
Autor principal: Burns, Tom
Formato: info:eu-repo/semantics/article
Lenguaje:Portugués
Publicado: ITINERÁRIOS – Revue de Littérature 2008
Acceso en línea:https://periodicos.fclar.unesp.br/itinerarios/article/view/2630
http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/62462
_version_ 1782339875575431168
author Burns, Tom
author_facet Burns, Tom
author_sort Burns, Tom
collection Repositorio
description In this article, the allegorical narrative is examined as a type of extended metaphor in which one simultaneous or parallel narrative structure is maintained together with another, one less “visible” or literal than the other. Three American novels of the period of the Vietnam War are analyzed as examples of allegorical narratives: Asa Baber’s The Land of a Million Elephants (1971); Robert Stone’s Dog Soldiers (1967), and Norman Mailer’s Why Are We in Vietnam? (1967). The fi rst, in spite of its apparent allegory, is shown to be more of a generalized fantasy, in the mode of Kurt Vonnegut, Jr, on western imperialism in Southeast Asia, while the second and third novels are more successful in constructing more specifically historical and critical allegorical narratives. Keywords: Allegorical narratives. Vietnam War literature. War fiction.
format info:eu-repo/semantics/article
id clacso-CLACSO62462
institution CLACSO, Repositorio Digital
language Portugués
publishDate 2008
publisher ITINERÁRIOS – Revue de Littérature
record_format greenstone
spelling clacso-CLACSO624622022-03-18T18:27:39Z Allegorical Narratives of the Vietnam War Burns, Tom In this article, the allegorical narrative is examined as a type of extended metaphor in which one simultaneous or parallel narrative structure is maintained together with another, one less “visible” or literal than the other. Three American novels of the period of the Vietnam War are analyzed as examples of allegorical narratives: Asa Baber’s The Land of a Million Elephants (1971); Robert Stone’s Dog Soldiers (1967), and Norman Mailer’s Why Are We in Vietnam? (1967). The fi rst, in spite of its apparent allegory, is shown to be more of a generalized fantasy, in the mode of Kurt Vonnegut, Jr, on western imperialism in Southeast Asia, while the second and third novels are more successful in constructing more specifically historical and critical allegorical narratives. Keywords: Allegorical narratives. Vietnam War literature. War fiction. 2008-12-19 2022-03-18T18:27:39Z 2022-03-18T18:27:39Z info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://periodicos.fclar.unesp.br/itinerarios/article/view/2630 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/62462 por https://periodicos.fclar.unesp.br/itinerarios/article/view/2630/2305 Copyright (c) 2008 ITINERÁRIOS – Revista de Literatura application/pdf ITINERÁRIOS – Revue de Littérature ITINERÁRIOS – Revista de Literatura ITINERÁRIOS – Revue de Littérature; n.24, 2006 ITINERÁRIOS – Revista de Literatura; n.24, 2006 0103-815X
spellingShingle Burns, Tom
Allegorical Narratives of the Vietnam War
title Allegorical Narratives of the Vietnam War
title_full Allegorical Narratives of the Vietnam War
title_fullStr Allegorical Narratives of the Vietnam War
title_full_unstemmed Allegorical Narratives of the Vietnam War
title_short Allegorical Narratives of the Vietnam War
title_sort allegorical narratives of the vietnam war
url https://periodicos.fclar.unesp.br/itinerarios/article/view/2630
http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/62462