The “drama” of writing in Notes From The Underground, by Dostoiévski

This article discusses some theoretical problems intrinsically proposed by the narrator of Notes from the Underground as complex paradoxes. The topics that were examined were: the representation of written memories as “anti-literature”, the ambivalence of the narrative mode and the deliberate and ex...

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Detalles Bibliográficos
Autor principal: Muylaert, Joana Luiza
Formato: info:eu-repo/semantics/article
Lenguaje:Portugués
Publicado: ITINERÁRIOS – Revue de Littérature 2008
Materias:
Acceso en línea:https://periodicos.fclar.unesp.br/itinerarios/article/view/1168
http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/62215
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author Muylaert, Joana Luiza
author_facet Muylaert, Joana Luiza
author_sort Muylaert, Joana Luiza
collection Repositorio
description This article discusses some theoretical problems intrinsically proposed by the narrator of Notes from the Underground as complex paradoxes. The topics that were examined were: the representation of written memories as “anti-literature”, the ambivalence of the narrative mode and the deliberate and explicit erasure of the author/ father of the text.
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spelling clacso-CLACSO622152022-03-18T18:27:13Z The “drama” of writing in Notes From The Underground, by Dostoiévski O drama da escrita em Memórias do subsolo, de Dostoiévski Muylaert, Joana Luiza Writing Memoirs Authorship Hybrid narrative Dostoyevsky Escrita Memórias Autoria Narrativa híbrida Dostoiévski This article discusses some theoretical problems intrinsically proposed by the narrator of Notes from the Underground as complex paradoxes. The topics that were examined were: the representation of written memories as “anti-literature”, the ambivalence of the narrative mode and the deliberate and explicit erasure of the author/ father of the text. Procuro, neste texto, contornar alguns problemas teóricos que, na escrita de Memórias do Subsolo, já estão postos pelo narrador na forma de intrincados paradoxos. Em síntese, serão tratadas as seguintes questões: a representação das memórias escritas como antiliteratura; a ambivalência de seu modo narrativo; o apagamento deliberado e explícito do autor/pai do texto. 2008-12-19 2022-03-18T18:27:13Z 2022-03-18T18:27:13Z info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://periodicos.fclar.unesp.br/itinerarios/article/view/1168 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/62215 por https://periodicos.fclar.unesp.br/itinerarios/article/view/1168/948 Copyright (c) 2008 ITINERÁRIOS – Revista de Literatura application/pdf ITINERÁRIOS – Revue de Littérature ITINERÁRIOS – Revista de Literatura ITINERÁRIOS – Revue de Littérature; n.26, 2008 ITINERÁRIOS – Revista de Literatura; n.26, 2008 0103-815X
spellingShingle Writing
Memoirs
Authorship
Hybrid narrative
Dostoyevsky
Escrita
Memórias
Autoria
Narrativa híbrida
Dostoiévski
Muylaert, Joana Luiza
The “drama” of writing in Notes From The Underground, by Dostoiévski
title The “drama” of writing in Notes From The Underground, by Dostoiévski
title_full The “drama” of writing in Notes From The Underground, by Dostoiévski
title_fullStr The “drama” of writing in Notes From The Underground, by Dostoiévski
title_full_unstemmed The “drama” of writing in Notes From The Underground, by Dostoiévski
title_short The “drama” of writing in Notes From The Underground, by Dostoiévski
title_sort “drama” of writing in notes from the underground, by dostoiévski
topic Writing
Memoirs
Authorship
Hybrid narrative
Dostoyevsky
Escrita
Memórias
Autoria
Narrativa híbrida
Dostoiévski
url https://periodicos.fclar.unesp.br/itinerarios/article/view/1168
http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/62215