The “drama” of writing in Notes From The Underground, by Dostoiévski
This article discusses some theoretical problems intrinsically proposed by the narrator of Notes from the Underground as complex paradoxes. The topics that were examined were: the representation of written memories as “anti-literature”, the ambivalence of the narrative mode and the deliberate and ex...
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Formato: | info:eu-repo/semantics/article |
Lenguaje: | Portugués |
Publicado: |
ITINERÁRIOS – Revue de Littérature
2008
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Acceso en línea: | https://periodicos.fclar.unesp.br/itinerarios/article/view/1168 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/62215 |
Sumario: | This article discusses some theoretical problems intrinsically proposed by the narrator of Notes from the Underground as complex paradoxes. The topics that were examined were: the representation of written memories as “anti-literature”, the ambivalence of the narrative mode and the deliberate and explicit erasure of the author/ father of the text. |
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