Biblioteca Digital de VanguardiaA Kiekergaardian reading of Natsume Sōseki: Sanshirō, Sorekara and Mon
In this paper we intend to test an interpretative hypothesis in order to read the usually named first trilogy of Japanese novelist Natsume Sōseki, be that as a whole or regarding each work separately. Our hypothesis consists of applying Søren Kierkegaard’s theory of the three stages as a frame for t...
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| Formato: | info:eu-repo/semantics/article |
| Lenguaje: | Portugués |
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Revista de Letras
2020
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| Acceso en línea: | https://periodicos.fclar.unesp.br/letras/article/view/14348 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/61918 |
| Sumario: | In this paper we intend to test an interpretative hypothesis in order to read the usually named first trilogy of Japanese novelist Natsume Sōseki, be that as a whole or regarding each work separately. Our hypothesis consists of applying Søren Kierkegaard’s theory of the three stages as a frame for the reading of each novel of the trilogy, in order to highlight elements that have so far gone unnoticed, as well as a frame for a reading of the works as a whole. Even though we do not enter the subject of a direct influence of Kierkegaard upon Sōseki, the parallel reading of both authors offers a wealth of hypothesis that should not be ignored. We arrive at the conclusion that this framework is in a great deal functional, although some limitations should be pointed out. |
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