Biblioteca Digital de VanguardiaLogics of art collection in confrontation: Monteiro Lobato and Anita Malfatti
This paper proves that there were two logics of shock art collection from the effects of “Modern Painting Exhibition”, 1917. The publication of “The Purpose of Malfatti Exhibition”, Monteiro Lobato, headed the first logical art collection, which fed the Romanticism triad, Nationalism and Naturalism....
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| Formato: | info:eu-repo/semantics/article |
| Lenguaje: | Portugués |
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Revista de Letras
2018
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| Materias: | |
| Acceso en línea: | https://periodicos.fclar.unesp.br/letras/article/view/10637 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/61836 |
| _version_ | 1782335356267397120 |
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| author | Cruz, Benilton Lobato |
| author_facet | Cruz, Benilton Lobato |
| author_sort | Cruz, Benilton Lobato |
| collection | Repositorio |
| description | This paper proves that there were two logics of shock art collection from the effects of “Modern Painting Exhibition”, 1917. The publication of “The Purpose of Malfatti Exhibition”, Monteiro Lobato, headed the first logical art collection, which fed the Romanticism triad, Nationalism and Naturalism. The other side, in turn, initiated by São Paulo artist, questioning the role of mimetic action in the new art course, would point out the need to review the historical foundation of this proposal. This research proves, in fact, that in both lines had a defensive posture, behavior that outlines the future of each of these views. The term “logic of Art Collection”, created by Boris Groys (2004) in order to expose the important role of the museum in the acceptability of the new, settles on the change wrought by the museum itself as the focus of the art of reading. And from this angle, this article proves that the two aesthetics are accepted by the literature, the favorable field to understanding the interference of museum space in the definition of art direction. |
| format | info:eu-repo/semantics/article |
| id | clacso-CLACSO61836 |
| institution | CLACSO, Repositorio Digital |
| language | Portugués |
| publishDate | 2018 |
| publisher | Revista de Letras |
| record_format | greenstone |
| spelling | clacso-CLACSO618362022-03-18T16:20:48Z Logics of art collection in confrontation: Monteiro Lobato and Anita Malfatti Lógicas de coleção da arte em confronto: Monteiro Lobato e Anita Malfatti Cruz, Benilton Lobato Modernism Anita Malfatti Monteiro Lobato Expressionism Modernismo Anita Malfatti Monteiro Lobato Expressionismo This paper proves that there were two logics of shock art collection from the effects of “Modern Painting Exhibition”, 1917. The publication of “The Purpose of Malfatti Exhibition”, Monteiro Lobato, headed the first logical art collection, which fed the Romanticism triad, Nationalism and Naturalism. The other side, in turn, initiated by São Paulo artist, questioning the role of mimetic action in the new art course, would point out the need to review the historical foundation of this proposal. This research proves, in fact, that in both lines had a defensive posture, behavior that outlines the future of each of these views. The term “logic of Art Collection”, created by Boris Groys (2004) in order to expose the important role of the museum in the acceptability of the new, settles on the change wrought by the museum itself as the focus of the art of reading. And from this angle, this article proves that the two aesthetics are accepted by the literature, the favorable field to understanding the interference of museum space in the definition of art direction. O artigo prova que havia duas lógicas de coleção de arte em choque a partir dos efeitos da “Exposição de Pintura Moderna”, de 1917. A publicação do artigo “A Propósito da Exposição Malfatti”, de Monteiro Lobato, encabeçava a primeira lógica de coleção de arte, a que se alimentava da tríade de Romantismo, Nacionalismo e Naturalismo. A outra vertente, por sua vez, surgindo da exposição da pintora paulista, e questionando o papel da ação do mimético no percurso da arte, haveria de apontar a necessidade de se rever o fundamento histórico dessa nova proposta. Este artigo prova, na verdade, que em ambas as linhas havia uma postura de defesa. O termo “lógica de coleção de arte”, criado por Boris Groys (2004) a fim de expor a importância do papel do museu na aceitabilidade do novo, sedimenta-se na mudança operada pelo próprio museu no futuro da arte. Todavia, é a literatura, o campo favorável ao entendimento da interferência do espaço museológico na definição dos rumos da nova arte. 2018-05-15 2022-03-18T16:20:48Z 2022-03-18T16:20:48Z info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://periodicos.fclar.unesp.br/letras/article/view/10637 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/61836 por https://periodicos.fclar.unesp.br/letras/article/view/10637/7245 Copyright (c) 2018 Revista de Letras application/pdf Revista de Letras Revista de Letras Revista de Letras; Vol. 56 No. 2 (2016): Dossiê “150 Anos de Pirandello” Revista de Letras; v. 56 n. 2 (2016): Dossiê “150 Anos de Pirandello” 1981-7886 0101-3505 |
| spellingShingle | Modernism Anita Malfatti Monteiro Lobato Expressionism Modernismo Anita Malfatti Monteiro Lobato Expressionismo Cruz, Benilton Lobato Logics of art collection in confrontation: Monteiro Lobato and Anita Malfatti |
| title | Logics of art collection in confrontation: Monteiro Lobato and Anita Malfatti |
| title_full | Logics of art collection in confrontation: Monteiro Lobato and Anita Malfatti |
| title_fullStr | Logics of art collection in confrontation: Monteiro Lobato and Anita Malfatti |
| title_full_unstemmed | Logics of art collection in confrontation: Monteiro Lobato and Anita Malfatti |
| title_short | Logics of art collection in confrontation: Monteiro Lobato and Anita Malfatti |
| title_sort | logics of art collection in confrontation: monteiro lobato and anita malfatti |
| topic | Modernism Anita Malfatti Monteiro Lobato Expressionism Modernismo Anita Malfatti Monteiro Lobato Expressionismo |
| url | https://periodicos.fclar.unesp.br/letras/article/view/10637 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/61836 |