Biblioteca Digital de VanguardiaFräulein von Orleans
The following paper “Fräulein von Orleans “ analyzes and proves the presence of Friedrich Schiller, from the play The Maiden of Orleans, 1881, the character Elza, from the novel by Mario de Andrade, “Amar, verbo intransitivo” . The pedagogical action of the governess, hired to teach piano and German...
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| Formato: | info:eu-repo/semantics/article |
| Lenguaje: | Portugués |
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Revista de Letras
2016
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| Materias: | |
| Acceso en línea: | https://periodicos.fclar.unesp.br/letras/article/view/8595 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/61798 |
| _version_ | 1782339029582217216 |
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| author | Cruz, Benilton Lobato |
| author_facet | Cruz, Benilton Lobato |
| author_sort | Cruz, Benilton Lobato |
| collection | Repositorio |
| description | The following paper “Fräulein von Orleans “ analyzes and proves the presence of Friedrich Schiller, from the play The Maiden of Orleans, 1881, the character Elza, from the novel by Mario de Andrade, “Amar, verbo intransitivo” . The pedagogical action of the governess, hired to teach piano and German to children in a mansion in Higianópolis, São Paulo, is who believes in art as a form of education, shaped by moral values , however, in conflict with the bourgeois behavior paulistanos new rich. This “Joana D’Arc “ is not sacrificed to the fire, but she is “ dead “ in combat, sacrificed as a typical romantic heroine, as the work of German playwright, in attempting to balance objectivity and subjectivity, by this time, in the unstable bourgeois world, in São Paulo. There is a Elza that goes beyond the sexual initiation of the future Sousa Costa, there is a Fräulein von Orleans, a “universal “ German - French, like a “ mother of love”, which can not fail to appear without their “ flag” of morality. |
| format | info:eu-repo/semantics/article |
| id | clacso-CLACSO61798 |
| institution | CLACSO, Repositorio Digital |
| language | Portugués |
| publishDate | 2016 |
| publisher | Revista de Letras |
| record_format | greenstone |
| spelling | clacso-CLACSO617982022-03-18T16:20:46Z Fräulein von Orleans Fräulein von Orleans Cruz, Benilton Lobato Modernism Mário de Andrade Novel Modernismo Mário de Andrade Romance The following paper “Fräulein von Orleans “ analyzes and proves the presence of Friedrich Schiller, from the play The Maiden of Orleans, 1881, the character Elza, from the novel by Mario de Andrade, “Amar, verbo intransitivo” . The pedagogical action of the governess, hired to teach piano and German to children in a mansion in Higianópolis, São Paulo, is who believes in art as a form of education, shaped by moral values , however, in conflict with the bourgeois behavior paulistanos new rich. This “Joana D’Arc “ is not sacrificed to the fire, but she is “ dead “ in combat, sacrificed as a typical romantic heroine, as the work of German playwright, in attempting to balance objectivity and subjectivity, by this time, in the unstable bourgeois world, in São Paulo. There is a Elza that goes beyond the sexual initiation of the future Sousa Costa, there is a Fräulein von Orleans, a “universal “ German - French, like a “ mother of love”, which can not fail to appear without their “ flag” of morality. O artigo “Fräulein von Orleans” analisa e comprova a presença de Friedrich Schiller, da peça A Donzela de Orleans, de 1881, na personagem Elza, do romance de Mário de Andrade, Amar, verbo intransitivo. A ação pedagógica da preceptora, contratada para ensinar piano e alemão às crianças de uma mansão em Higienópolis, São Paulo, é a de quem acredita na arte como uma forma de educação, moldada por valores morais, todavia, em conflito com o comportamento burguês dos novos ricos paulistanos. Essa “Joana D’Arc” não é imolada à fogueira, sacrificada como uma típica heroína romântica, mas “morta” em combate, como na obra do dramaturgo alemão, na tentativa de equilibrar objetividade e subjetividade, desta vez, no instável mundo burguês, da capital paulista. Há uma Elza que vai além da iniciação sexual do futuro Sousa Costa, existe a Fräulein von Orleans, uma “universal” alemã-francesa, “mãe do amor”, a que não pode deixar de aparecer sem a sua “bandeira” de moralidade. 2016-05-12 2022-03-18T16:20:46Z 2022-03-18T16:20:46Z info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://periodicos.fclar.unesp.br/letras/article/view/8595 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/61798 por https://periodicos.fclar.unesp.br/letras/article/view/8595/5772 Copyright (c) 2016 Revista de Letras application/pdf Revista de Letras Revista de Letras Revista de Letras; Vol. 55 No. 1 (2015) Revista de Letras; v. 55 n. 1 (2015) 1981-7886 0101-3505 |
| spellingShingle | Modernism Mário de Andrade Novel Modernismo Mário de Andrade Romance Cruz, Benilton Lobato Fräulein von Orleans |
| title | Fräulein von Orleans |
| title_full | Fräulein von Orleans |
| title_fullStr | Fräulein von Orleans |
| title_full_unstemmed | Fräulein von Orleans |
| title_short | Fräulein von Orleans |
| title_sort | fräulein von orleans |
| topic | Modernism Mário de Andrade Novel Modernismo Mário de Andrade Romance |
| url | https://periodicos.fclar.unesp.br/letras/article/view/8595 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/61798 |