Biblioteca Digital de VanguardiaFräulein von Orleans
The following paper “Fräulein von Orleans “ analyzes and proves the presence of Friedrich Schiller, from the play The Maiden of Orleans, 1881, the character Elza, from the novel by Mario de Andrade, “Amar, verbo intransitivo” . The pedagogical action of the governess, hired to teach piano and German...
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| Formato: | info:eu-repo/semantics/article |
| Lenguaje: | Portugués |
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Revista de Letras
2016
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| Acceso en línea: | https://periodicos.fclar.unesp.br/letras/article/view/8595 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/61798 |
| Sumario: | The following paper “Fräulein von Orleans “ analyzes and proves the presence of Friedrich Schiller, from the play The Maiden of Orleans, 1881, the character Elza, from the novel by Mario de Andrade, “Amar, verbo intransitivo” . The pedagogical action of the governess, hired to teach piano and German to children in a mansion in Higianópolis, São Paulo, is who believes in art as a form of education, shaped by moral values , however, in conflict with the bourgeois behavior paulistanos new rich. This “Joana D’Arc “ is not sacrificed to the fire, but she is “ dead “ in combat, sacrificed as a typical romantic heroine, as the work of German playwright, in attempting to balance objectivity and subjectivity, by this time, in the unstable bourgeois world, in São Paulo. There is a Elza that goes beyond the sexual initiation of the future Sousa Costa, there is a Fräulein von Orleans, a “universal “ German - French, like a “ mother of love”, which can not fail to appear without their “ flag” of morality. |
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