The deterritorialization of “the self ” in Caio Fernando Abreu’s short stories

Subjectivity in Caio Fernando Abreu’s fiction should not be apprehended in the light of the Cartesian Cogito because it expresses a subjective experience as well as specific subjectivation which do not refer to a personal self, rather, it relates to the way a given set of power relation produces the...

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Autor principal: Forster, Gabrielle da Silva
Formato: info:eu-repo/semantics/article
Lenguaje:Portugués
Publicado: Revista de Letras 2012
Materias:
Acceso en línea:https://periodicos.fclar.unesp.br/letras/article/view/5107
http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/61716
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author Forster, Gabrielle da Silva
author_facet Forster, Gabrielle da Silva
author_sort Forster, Gabrielle da Silva
collection Repositorio
description Subjectivity in Caio Fernando Abreu’s fiction should not be apprehended in the light of the Cartesian Cogito because it expresses a subjective experience as well as specific subjectivation which do not refer to a personal self, rather, it relates to the way a given set of power relation produces the curvature. Being so, the Deleuzian concept of curve is a relevant tool to understand the fictional, subjective experience of the writer’s work. In his artistic production, the classic image of the universal subject is replaced for the thought-event idea, where the exterior part is inseparable from its interior one and the movement processed in the author’s short stories includes the interposition of the inside and the outside; therefore, such procedure can be understood as one which goes against the State apparatus. In order to understand the writer’s artistic production as a war machine, I intend to analyze some of his short stories where the characters are similar to those visionary ones as pointed by Deleuze and Guattari: they are aware of the intolerable within a situation and open up a new field of possibilities.
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spelling clacso-CLACSO617162022-03-18T16:20:35Z The deterritorialization of “the self ” in Caio Fernando Abreu’s short stories Desterritorialização do "eu" em contos de Caio Fernando Abreu Forster, Gabrielle da Silva Caio Fernando Abreu Deleuzian-Guattarian curve Short stories Caio Fernando Abreu Dobra deleuziana-guattariana Contos Subjectivity in Caio Fernando Abreu’s fiction should not be apprehended in the light of the Cartesian Cogito because it expresses a subjective experience as well as specific subjectivation which do not refer to a personal self, rather, it relates to the way a given set of power relation produces the curvature. Being so, the Deleuzian concept of curve is a relevant tool to understand the fictional, subjective experience of the writer’s work. In his artistic production, the classic image of the universal subject is replaced for the thought-event idea, where the exterior part is inseparable from its interior one and the movement processed in the author’s short stories includes the interposition of the inside and the outside; therefore, such procedure can be understood as one which goes against the State apparatus. In order to understand the writer’s artistic production as a war machine, I intend to analyze some of his short stories where the characters are similar to those visionary ones as pointed by Deleuze and Guattari: they are aware of the intolerable within a situation and open up a new field of possibilities. A subjetividade que se figura ficcionalmente na obra de Caio Fernando Abreu não pode ser compreendida na forma de um Cogito cartesiano, pois ela expressa uma experiência subjetiva e modos de subjetivação específicos que não se referem a um sujeito pessoal, mas à maneira que uma determinada relação de forças produz a curvatura. Sendo assim, o conceito deleuziano de dobra é uma importante ferramenta para compreender a experiência subjetiva que se ficcionaliza na obra do escritor. Como na sua produção artística, a imagem clássica de sujeito universal é substituída pela de pensamento-acontecimento, no qual o exterior é inseparável do interior, o movimento que se processa em seus contos inclui a interpenetração do dentro e do fora, podendo por isso colocar-se contra o aparelho de Estado. É no intuito de compreender a produção artística do escritor como máquina de guerra que pretendo analisar alguns de seus contos, nos quais os personagens se aproximam dos visionários indicados por Deleuze e Guattari: percebem o intolerável em uma situação e abrem assim um novo campo de possíveis. 2012-07-26 2022-03-18T16:20:35Z 2022-03-18T16:20:35Z info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://periodicos.fclar.unesp.br/letras/article/view/5107 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/61716 por https://periodicos.fclar.unesp.br/letras/article/view/5107/4203 Copyright (c) 2012 Revista de Letras application/pdf Revista de Letras Revista de Letras Revista de Letras; Vol. 51 No. 1 (2011) Revista de Letras; v. 51 n. 1 (2011) 1981-7886 0101-3505
spellingShingle Caio Fernando Abreu
Deleuzian-Guattarian curve
Short stories
Caio Fernando Abreu
Dobra deleuziana-guattariana
Contos
Forster, Gabrielle da Silva
The deterritorialization of “the self ” in Caio Fernando Abreu’s short stories
title The deterritorialization of “the self ” in Caio Fernando Abreu’s short stories
title_full The deterritorialization of “the self ” in Caio Fernando Abreu’s short stories
title_fullStr The deterritorialization of “the self ” in Caio Fernando Abreu’s short stories
title_full_unstemmed The deterritorialization of “the self ” in Caio Fernando Abreu’s short stories
title_short The deterritorialization of “the self ” in Caio Fernando Abreu’s short stories
title_sort deterritorialization of “the self ” in caio fernando abreu’s short stories
topic Caio Fernando Abreu
Deleuzian-Guattarian curve
Short stories
Caio Fernando Abreu
Dobra deleuziana-guattariana
Contos
url https://periodicos.fclar.unesp.br/letras/article/view/5107
http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/61716