Biblioteca Digital de VanguardiaThe deterritorialization of “the self ” in Caio Fernando Abreu’s short stories
Subjectivity in Caio Fernando Abreu’s fiction should not be apprehended in the light of the Cartesian Cogito because it expresses a subjective experience as well as specific subjectivation which do not refer to a personal self, rather, it relates to the way a given set of power relation produces the...
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| Formato: | info:eu-repo/semantics/article |
| Lenguaje: | Portugués |
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Revista de Letras
2012
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| Acceso en línea: | https://periodicos.fclar.unesp.br/letras/article/view/5107 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/61716 |
| Sumario: | Subjectivity in Caio Fernando Abreu’s fiction should not be apprehended in the light of the Cartesian Cogito because it expresses a subjective experience as well as specific subjectivation which do not refer to a personal self, rather, it relates to the way a given set of power relation produces the curvature. Being so, the Deleuzian concept of curve is a relevant tool to understand the fictional, subjective experience of the writer’s work. In his artistic production, the classic image of the universal subject is replaced for the thought-event idea, where the exterior part is inseparable from its interior one and the movement processed in the author’s short stories includes the interposition of the inside and the outside; therefore, such procedure can be understood as one which goes against the State apparatus. In order to understand the writer’s artistic production as a war machine, I intend to analyze some of his short stories where the characters are similar to those visionary ones as pointed by Deleuze and Guattari: they are aware of the intolerable within a situation and open up a new field of possibilities. |
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