THE ROCK'N'ROLL COMPOSITION OF SANDMAN

This article is based on the concept of iconicity, according to the Greimasian semiotics. Its aim is to discuss the relationship between the comic book series Sandman and the figurative elements of the rock'n'roll scene. The historical context of the comic books is discussed on the basis o...

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Detalles Bibliográficos
Autor principal: Baquião, Rubens César
Formato: info:eu-repo/semantics/article
Lenguaje:Portugués
Publicado: Laboratório Editorial FCL-UNESP 2012
Materias:
Acceso en línea:https://periodicos.fclar.unesp.br/casa/article/view/5603
http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/60320
Descripción
Sumario:This article is based on the concept of iconicity, according to the Greimasian semiotics. Its aim is to discuss the relationship between the comic book series Sandman and the figurative elements of the rock'n'roll scene. The historical context of the comic books is discussed on the basis of the work of the historian E. Hobsbawm. A social discussion is also established and based on the work of the sociologist E. Morin over the same period. It is understood that the texts that are contemporaneously produced are characterized by the discursive inter-relation with the wide variety of genres found in the modern systems of communication.