STRANGER THAN FICTION: THE AUTHOR-HERO RELATIONSHIP IN THE AESTHETICS OF THE CINEMATOGRAPHIC DISCOURSE

The aim of this article is to construct an analytical and discursive study concerning the relationship author-hero in the feature film Stranger than fiction (2005). We start the discussion considering some theoretical propositions formalized by Bakhtin/Voloshinov (2009), such as  language conceived...

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Autor principal: Stafuzza, Grenissa Bonvino
Formato: info:eu-repo/semantics/article
Lenguaje:Portugués
Publicado: Laboratório Editorial FCL-UNESP 2012
Materias:
Acceso en línea:https://periodicos.fclar.unesp.br/casa/article/view/5585
http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/60306
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author Stafuzza, Grenissa Bonvino
author_facet Stafuzza, Grenissa Bonvino
author_sort Stafuzza, Grenissa Bonvino
collection Repositorio
description The aim of this article is to construct an analytical and discursive study concerning the relationship author-hero in the feature film Stranger than fiction (2005). We start the discussion considering some theoretical propositions formalized by Bakhtin/Voloshinov (2009), such as  language conceived in its  social nature, the enunciation in respect to the communication inter-locutors and the building of the relationship  sign-ideology in language (in this respect, the cinematographic) to anticipate some questions involving the relationship author-hero, founded by Bakhtin (1992). Then, we transcribe some filmic statements selected to the analysis, noting how the relationship between the author, Karen Eiffel, and the hero, Harold Crick, is established by a dialogical exchange supported by a dynamic relation with the verbal-visual enunciation of Stranger than fiction which organizes the cinematographic work as a whole.
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spelling clacso-CLACSO603062022-03-18T16:08:22Z STRANGER THAN FICTION: THE AUTHOR-HERO RELATIONSHIP IN THE AESTHETICS OF THE CINEMATOGRAPHIC DISCOURSE MAIS ESTRANHO QUE A FICÇÃO: O AUTOR E O HERÓI NA ESTÉTICA DO DISCURSO CINEMATOGRÁFICO Stafuzza, Grenissa Bonvino Stranger than fiction Cinematographic Discourse Author Hero Dialogue M. M. Bakhtin. Mais estranho que a ficção Discurso Cinematográfico Autor Herói Diálogo M. M. Bakhtin. The aim of this article is to construct an analytical and discursive study concerning the relationship author-hero in the feature film Stranger than fiction (2005). We start the discussion considering some theoretical propositions formalized by Bakhtin/Voloshinov (2009), such as  language conceived in its  social nature, the enunciation in respect to the communication inter-locutors and the building of the relationship  sign-ideology in language (in this respect, the cinematographic) to anticipate some questions involving the relationship author-hero, founded by Bakhtin (1992). Then, we transcribe some filmic statements selected to the analysis, noting how the relationship between the author, Karen Eiffel, and the hero, Harold Crick, is established by a dialogical exchange supported by a dynamic relation with the verbal-visual enunciation of Stranger than fiction which organizes the cinematographic work as a whole. Propomos neste artigo realizar um estudo analítico e discursivo da relação autor e herói no longa-metragem Mais estranho que a ficção (2005). Partimos do debate sobre algumas proposições teóricas formalizadas por Bakhtin/Volochínov (2009), tais como a língua pensada em sua natureza social, a enunciação na relação de comunicação entre (inter)locutores e a construção da relação signo-ideologia na linguagem (aqui, a cinematográfica) para anteciparmos alguns questionamentos que implicam a relação autor e herói, fundamentada por Bakhtin (1992).  Em seguida, transcrevemos alguns enunciados fílmicos eleitos para a análise, observando como a relação entre a autora, Karen Eiffel, e o herói, Harold Crick, se instaura por meio do intercâmbio dialógico em uma relação dinâmica na enunciação verbovisual de Mais estranho que a ficção, arquitetando o todo da obra cinematográfica. 2012-12-18 2022-03-18T16:08:22Z 2022-03-18T16:08:22Z info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://periodicos.fclar.unesp.br/casa/article/view/5585 10.21709/casa.v10i2.5585 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/60306 por https://periodicos.fclar.unesp.br/casa/article/view/5585/4390 Copyright (c) 2012 CASA: Cadernos de Semiótica Aplicada application/pdf Laboratório Editorial FCL-UNESP CASA: Cadernos de Semiótica Aplicada; v. 10 n. 2 (2012) 1679-3404 10.21709/casa.v10i2
spellingShingle Stranger than fiction
Cinematographic Discourse
Author
Hero
Dialogue
M. M. Bakhtin.
Mais estranho que a ficção
Discurso Cinematográfico
Autor
Herói
Diálogo
M. M. Bakhtin.
Stafuzza, Grenissa Bonvino
STRANGER THAN FICTION: THE AUTHOR-HERO RELATIONSHIP IN THE AESTHETICS OF THE CINEMATOGRAPHIC DISCOURSE
title STRANGER THAN FICTION: THE AUTHOR-HERO RELATIONSHIP IN THE AESTHETICS OF THE CINEMATOGRAPHIC DISCOURSE
title_full STRANGER THAN FICTION: THE AUTHOR-HERO RELATIONSHIP IN THE AESTHETICS OF THE CINEMATOGRAPHIC DISCOURSE
title_fullStr STRANGER THAN FICTION: THE AUTHOR-HERO RELATIONSHIP IN THE AESTHETICS OF THE CINEMATOGRAPHIC DISCOURSE
title_full_unstemmed STRANGER THAN FICTION: THE AUTHOR-HERO RELATIONSHIP IN THE AESTHETICS OF THE CINEMATOGRAPHIC DISCOURSE
title_short STRANGER THAN FICTION: THE AUTHOR-HERO RELATIONSHIP IN THE AESTHETICS OF THE CINEMATOGRAPHIC DISCOURSE
title_sort stranger than fiction: the author-hero relationship in the aesthetics of the cinematographic discourse
topic Stranger than fiction
Cinematographic Discourse
Author
Hero
Dialogue
M. M. Bakhtin.
Mais estranho que a ficção
Discurso Cinematográfico
Autor
Herói
Diálogo
M. M. Bakhtin.
url https://periodicos.fclar.unesp.br/casa/article/view/5585
http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/60306