STRANGER THAN FICTION: THE AUTHOR-HERO RELATIONSHIP IN THE AESTHETICS OF THE CINEMATOGRAPHIC DISCOURSE
The aim of this article is to construct an analytical and discursive study concerning the relationship author-hero in the feature film Stranger than fiction (2005). We start the discussion considering some theoretical propositions formalized by Bakhtin/Voloshinov (2009), such as language conceived...
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Formato: | info:eu-repo/semantics/article |
Lenguaje: | Portugués |
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Laboratório Editorial FCL-UNESP
2012
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Acceso en línea: | https://periodicos.fclar.unesp.br/casa/article/view/5585 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/60306 |
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author | Stafuzza, Grenissa Bonvino |
author_facet | Stafuzza, Grenissa Bonvino |
author_sort | Stafuzza, Grenissa Bonvino |
collection | Repositorio |
description | The aim of this article is to construct an analytical and discursive study concerning the relationship author-hero in the feature film Stranger than fiction (2005). We start the discussion considering some theoretical propositions formalized by Bakhtin/Voloshinov (2009), such as language conceived in its social nature, the enunciation in respect to the communication inter-locutors and the building of the relationship sign-ideology in language (in this respect, the cinematographic) to anticipate some questions involving the relationship author-hero, founded by Bakhtin (1992). Then, we transcribe some filmic statements selected to the analysis, noting how the relationship between the author, Karen Eiffel, and the hero, Harold Crick, is established by a dialogical exchange supported by a dynamic relation with the verbal-visual enunciation of Stranger than fiction which organizes the cinematographic work as a whole. |
format | info:eu-repo/semantics/article |
id | clacso-CLACSO60306 |
institution | CLACSO, Repositorio Digital |
language | Portugués |
publishDate | 2012 |
publisher | Laboratório Editorial FCL-UNESP |
record_format | greenstone |
spelling | clacso-CLACSO603062022-03-18T16:08:22Z STRANGER THAN FICTION: THE AUTHOR-HERO RELATIONSHIP IN THE AESTHETICS OF THE CINEMATOGRAPHIC DISCOURSE MAIS ESTRANHO QUE A FICÇÃO: O AUTOR E O HERÓI NA ESTÉTICA DO DISCURSO CINEMATOGRÁFICO Stafuzza, Grenissa Bonvino Stranger than fiction Cinematographic Discourse Author Hero Dialogue M. M. Bakhtin. Mais estranho que a ficção Discurso Cinematográfico Autor Herói Diálogo M. M. Bakhtin. The aim of this article is to construct an analytical and discursive study concerning the relationship author-hero in the feature film Stranger than fiction (2005). We start the discussion considering some theoretical propositions formalized by Bakhtin/Voloshinov (2009), such as language conceived in its social nature, the enunciation in respect to the communication inter-locutors and the building of the relationship sign-ideology in language (in this respect, the cinematographic) to anticipate some questions involving the relationship author-hero, founded by Bakhtin (1992). Then, we transcribe some filmic statements selected to the analysis, noting how the relationship between the author, Karen Eiffel, and the hero, Harold Crick, is established by a dialogical exchange supported by a dynamic relation with the verbal-visual enunciation of Stranger than fiction which organizes the cinematographic work as a whole. Propomos neste artigo realizar um estudo analítico e discursivo da relação autor e herói no longa-metragem Mais estranho que a ficção (2005). Partimos do debate sobre algumas proposições teóricas formalizadas por Bakhtin/Volochínov (2009), tais como a língua pensada em sua natureza social, a enunciação na relação de comunicação entre (inter)locutores e a construção da relação signo-ideologia na linguagem (aqui, a cinematográfica) para anteciparmos alguns questionamentos que implicam a relação autor e herói, fundamentada por Bakhtin (1992). Em seguida, transcrevemos alguns enunciados fílmicos eleitos para a análise, observando como a relação entre a autora, Karen Eiffel, e o herói, Harold Crick, se instaura por meio do intercâmbio dialógico em uma relação dinâmica na enunciação verbovisual de Mais estranho que a ficção, arquitetando o todo da obra cinematográfica. 2012-12-18 2022-03-18T16:08:22Z 2022-03-18T16:08:22Z info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://periodicos.fclar.unesp.br/casa/article/view/5585 10.21709/casa.v10i2.5585 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/60306 por https://periodicos.fclar.unesp.br/casa/article/view/5585/4390 Copyright (c) 2012 CASA: Cadernos de Semiótica Aplicada application/pdf Laboratório Editorial FCL-UNESP CASA: Cadernos de Semiótica Aplicada; v. 10 n. 2 (2012) 1679-3404 10.21709/casa.v10i2 |
spellingShingle | Stranger than fiction Cinematographic Discourse Author Hero Dialogue M. M. Bakhtin. Mais estranho que a ficção Discurso Cinematográfico Autor Herói Diálogo M. M. Bakhtin. Stafuzza, Grenissa Bonvino STRANGER THAN FICTION: THE AUTHOR-HERO RELATIONSHIP IN THE AESTHETICS OF THE CINEMATOGRAPHIC DISCOURSE |
title | STRANGER THAN FICTION: THE AUTHOR-HERO RELATIONSHIP IN THE AESTHETICS OF THE CINEMATOGRAPHIC DISCOURSE |
title_full | STRANGER THAN FICTION: THE AUTHOR-HERO RELATIONSHIP IN THE AESTHETICS OF THE CINEMATOGRAPHIC DISCOURSE |
title_fullStr | STRANGER THAN FICTION: THE AUTHOR-HERO RELATIONSHIP IN THE AESTHETICS OF THE CINEMATOGRAPHIC DISCOURSE |
title_full_unstemmed | STRANGER THAN FICTION: THE AUTHOR-HERO RELATIONSHIP IN THE AESTHETICS OF THE CINEMATOGRAPHIC DISCOURSE |
title_short | STRANGER THAN FICTION: THE AUTHOR-HERO RELATIONSHIP IN THE AESTHETICS OF THE CINEMATOGRAPHIC DISCOURSE |
title_sort | stranger than fiction: the author-hero relationship in the aesthetics of the cinematographic discourse |
topic | Stranger than fiction Cinematographic Discourse Author Hero Dialogue M. M. Bakhtin. Mais estranho que a ficção Discurso Cinematográfico Autor Herói Diálogo M. M. Bakhtin. |
url | https://periodicos.fclar.unesp.br/casa/article/view/5585 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/60306 |