Biblioteca Digital de VanguardiaTHE VOICE AND ITS TENSIVE CONFIGURATION IN THE STUDY OF THEATRICAL LANGUAGE
This work is an investigation on the use of the theatrical actor's voice and on its specificities as a sound-based object, where we bring together the studies of the theatrical performance language and the tensive model developed by Claude Zilberberg. Through the comparison of two different sce...
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| Formato: | info:eu-repo/semantics/article |
| Lenguaje: | Portugués |
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Laboratório Editorial FCL-UNESP
2012
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| Acceso en línea: | https://periodicos.fclar.unesp.br/casa/article/view/5271 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/60283 |
| _version_ | 1782335145502572544 |
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| author | Simonetti, Alpha Condeixa |
| author_facet | Simonetti, Alpha Condeixa |
| author_sort | Simonetti, Alpha Condeixa |
| collection | Repositorio |
| description | This work is an investigation on the use of the theatrical actor's voice and on its specificities as a sound-based object, where we bring together the studies of the theatrical performance language and the tensive model developed by Claude Zilberberg. Through the comparison of two different scene constructions, both conceived by Antunes Filho for the same tragedy: Euripides' Medea, the description of the selected corpus aims at the meanings produced by the vocal sounds. The analysis is done in two parts. The first one searches for the constitutive units produced in the discourses, which also makes the analysis a reflection on the descriptive criteria and on the relevance of these units in the discourses under investigation. On the second step, there is a discussion on the possible relations between the intonations of the characters in the play and the tensive categories called forth by each of these constructions. |
| format | info:eu-repo/semantics/article |
| id | clacso-CLACSO60283 |
| institution | CLACSO, Repositorio Digital |
| language | Portugués |
| publishDate | 2012 |
| publisher | Laboratório Editorial FCL-UNESP |
| record_format | greenstone |
| spelling | clacso-CLACSO602832022-03-18T16:08:21Z THE VOICE AND ITS TENSIVE CONFIGURATION IN THE STUDY OF THEATRICAL LANGUAGE VOZ E TENSIVIDADE NO ESTUDO DA LINGUAGEM TEATRAL Simonetti, Alpha Condeixa Voice actor character staging tensive model. Voz ator personagem encenação tensividade. This work is an investigation on the use of the theatrical actor's voice and on its specificities as a sound-based object, where we bring together the studies of the theatrical performance language and the tensive model developed by Claude Zilberberg. Through the comparison of two different scene constructions, both conceived by Antunes Filho for the same tragedy: Euripides' Medea, the description of the selected corpus aims at the meanings produced by the vocal sounds. The analysis is done in two parts. The first one searches for the constitutive units produced in the discourses, which also makes the analysis a reflection on the descriptive criteria and on the relevance of these units in the discourses under investigation. On the second step, there is a discussion on the possible relations between the intonations of the characters in the play and the tensive categories called forth by each of these constructions. Este trabalho se atém à investigação sobre os usos da voz do ator teatral e sobre suas especificidades enquanto objeto sonoro, trazendo uma primeira aproximação entre os estudos da linguagem da encenação teatral e o modelo tensivo desenvolvido por Claude Zilberberg. Através da comparação entre duas elaborações cênicas diferentes, ambas concebidas por Antunes Filho, sobre uma mesma obra trágica, Medeia, de Eurípedes, a descrição do corpus selecionado procura os sentidos gerados pelas sonoridades vocais. A análise segue basicamente em duas etapas. A primeira busca as unidades constituintes mobilizadas pelos discursos proferidos. Com isso, a análise torna-se também uma reflexão sobre os critérios descritivos e sobre a pertinência dessas unidades nos discursos em questão. Na segunda etapa, há uma reflexão sobre as possíveis relações entre as entoações das personagens encenadas e categorias tensivas convocadas por essas construções. 2012-08-24 2022-03-18T16:08:21Z 2022-03-18T16:08:21Z info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://periodicos.fclar.unesp.br/casa/article/view/5271 10.21709/casa.v10i1.5271 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/60283 por https://periodicos.fclar.unesp.br/casa/article/view/5271/4277 Copyright (c) 2012 CASA: Cadernos de Semiótica Aplicada application/pdf Laboratório Editorial FCL-UNESP CASA: Cadernos de Semiótica Aplicada; v. 10 n. 1 (2012) 1679-3404 10.21709/casa.v10i1 |
| spellingShingle | Voice actor character staging tensive model. Voz ator personagem encenação tensividade. Simonetti, Alpha Condeixa THE VOICE AND ITS TENSIVE CONFIGURATION IN THE STUDY OF THEATRICAL LANGUAGE |
| title | THE VOICE AND ITS TENSIVE CONFIGURATION IN THE STUDY OF THEATRICAL LANGUAGE |
| title_full | THE VOICE AND ITS TENSIVE CONFIGURATION IN THE STUDY OF THEATRICAL LANGUAGE |
| title_fullStr | THE VOICE AND ITS TENSIVE CONFIGURATION IN THE STUDY OF THEATRICAL LANGUAGE |
| title_full_unstemmed | THE VOICE AND ITS TENSIVE CONFIGURATION IN THE STUDY OF THEATRICAL LANGUAGE |
| title_short | THE VOICE AND ITS TENSIVE CONFIGURATION IN THE STUDY OF THEATRICAL LANGUAGE |
| title_sort | voice and its tensive configuration in the study of theatrical language |
| topic | Voice actor character staging tensive model. Voz ator personagem encenação tensividade. |
| url | https://periodicos.fclar.unesp.br/casa/article/view/5271 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/60283 |