ART AND ABDUCTION WITHIN UMBERTO ECO’S THEORETICAL WORKS

This article deals with the concept of abduction within Umberto Eco's theoretical work. The main goal of this text is to show how Umberto Eco disdains the aesthetic component in favor of a more cognitive approach of artistic fruition. Besides, the article intends to show the relationship betwee...

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Autor principal: Junior, Antonio Barros de Brito
Formato: info:eu-repo/semantics/article
Lenguaje:Portugués
Publicado: Laboratório Editorial FCL-UNESP 2010
Materias:
Acceso en línea:https://periodicos.fclar.unesp.br/casa/article/view/2943
http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/60236
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author Junior, Antonio Barros de Brito
author_facet Junior, Antonio Barros de Brito
author_sort Junior, Antonio Barros de Brito
collection Repositorio
description This article deals with the concept of abduction within Umberto Eco's theoretical work. The main goal of this text is to show how Umberto Eco disdains the aesthetic component in favor of a more cognitive approach of artistic fruition. Besides, the article intends to show the relationship between abduction and the Kantian concept of teleological judgment. It also offers, as a conclusion, an analysis of some of the consequences of this relationship which Umberto Eco was not totally aware of.
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spelling clacso-CLACSO602362022-03-18T16:08:11Z ART AND ABDUCTION WITHIN UMBERTO ECO’S THEORETICAL WORKS ARTE E ABDUÇÃO NA OBRA TEÓRICA DE UMBERTO ECO Junior, Antonio Barros de Brito Umberto Eco abduction aesthetics interpretation Umberto Eco abdução estética interpretação This article deals with the concept of abduction within Umberto Eco's theoretical work. The main goal of this text is to show how Umberto Eco disdains the aesthetic component in favor of a more cognitive approach of artistic fruition. Besides, the article intends to show the relationship between abduction and the Kantian concept of teleological judgment. It also offers, as a conclusion, an analysis of some of the consequences of this relationship which Umberto Eco was not totally aware of. Este artigo lida com o conceito de abdução presente na obra teórico-crítica de Umberto Eco. O objetivo principal consiste em mostrar como, ao abordar as questões relativas à interpretação da obra de arte, Umberto Eco desvalorizou o aspecto estético da fruição artística em favor de uma concepção cognitivista, calcada numa semiótica representacionalista. Além disso, pretende evidenciar o parentesco da noção de abdução com o conceito de juízo teleológico de Kant. Por fim, como conclusão, oferece-se uma análise de algumas consequências não vislumbradas por Eco nessa associação entre a semiótica e a estética de cunho kantiano. 2010-09-10 2022-03-18T16:08:11Z 2022-03-18T16:08:11Z info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://periodicos.fclar.unesp.br/casa/article/view/2943 10.21709/casa.v8i1.2943 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/60236 por https://periodicos.fclar.unesp.br/casa/article/view/2943/2705 Copyright (c) 2010 CASA: Cadernos de Semiótica Aplicada application/pdf Laboratório Editorial FCL-UNESP CASA: Cadernos de Semiótica Aplicada; v. 8 n. 1 (2010) 1679-3404 10.21709/casa.v8i1
spellingShingle Umberto Eco
abduction
aesthetics
interpretation
Umberto Eco
abdução
estética
interpretação
Junior, Antonio Barros de Brito
ART AND ABDUCTION WITHIN UMBERTO ECO’S THEORETICAL WORKS
title ART AND ABDUCTION WITHIN UMBERTO ECO’S THEORETICAL WORKS
title_full ART AND ABDUCTION WITHIN UMBERTO ECO’S THEORETICAL WORKS
title_fullStr ART AND ABDUCTION WITHIN UMBERTO ECO’S THEORETICAL WORKS
title_full_unstemmed ART AND ABDUCTION WITHIN UMBERTO ECO’S THEORETICAL WORKS
title_short ART AND ABDUCTION WITHIN UMBERTO ECO’S THEORETICAL WORKS
title_sort art and abduction within umberto eco’s theoretical works
topic Umberto Eco
abduction
aesthetics
interpretation
Umberto Eco
abdução
estética
interpretação
url https://periodicos.fclar.unesp.br/casa/article/view/2943
http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/60236