ART AND ABDUCTION WITHIN UMBERTO ECO’S THEORETICAL WORKS

This article deals with the concept of abduction within Umberto Eco's theoretical work. The main goal of this text is to show how Umberto Eco disdains the aesthetic component in favor of a more cognitive approach of artistic fruition. Besides, the article intends to show the relationship betwee...

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Detalles Bibliográficos
Autor principal: Junior, Antonio Barros de Brito
Formato: info:eu-repo/semantics/article
Lenguaje:Portugués
Publicado: Laboratório Editorial FCL-UNESP 2010
Materias:
Acceso en línea:https://periodicos.fclar.unesp.br/casa/article/view/2943
http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/60236
Descripción
Sumario:This article deals with the concept of abduction within Umberto Eco's theoretical work. The main goal of this text is to show how Umberto Eco disdains the aesthetic component in favor of a more cognitive approach of artistic fruition. Besides, the article intends to show the relationship between abduction and the Kantian concept of teleological judgment. It also offers, as a conclusion, an analysis of some of the consequences of this relationship which Umberto Eco was not totally aware of.