Biblioteca Digital de VanguardiaCinema and Revolution: Russian Constructivism and Dialectical Montage, Foundations of the Political Pedagogy of Eisenstein’s Images
Russian constructivism and the dialectical montage of images are the foundations of the practice and thought of the vanguard cinema of the Soviet director Sergei Eisenstein. In the context of the struggles and transformations unleashed by the Russian Revolution of 1917, Soviet cinema won internation...
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| Formato: | info:eu-repo/semantics/article |
| Lenguaje: | Portugués |
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Pontifícia Universidade Católica de São Paulo
2017
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| Acceso en línea: | https://revistas.pucsp.br/index.php/ls/article/view/35878 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/50351 |
| _version_ | 1782334383847374848 |
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| author | Batista Jr., Natalício |
| author_facet | Batista Jr., Natalício |
| author_sort | Batista Jr., Natalício |
| collection | Repositorio |
| description | Russian constructivism and the dialectical montage of images are the foundations of the practice and thought of the vanguard cinema of the Soviet director Sergei Eisenstein. In the context of the struggles and transformations unleashed by the Russian Revolution of 1917, Soviet cinema won international acclaim. Sergei Eisenstein’s filmmaking experiments with the methods of montage and explores socialist and Marxist themes. This article presents the main characteristics of Eisenstein’s work, his contribution to Soviet cinema and the pedagogical and political meaning of the montages in his films The Strike (1924), The Battleship Potemkin (1925) and October (1927). |
| format | info:eu-repo/semantics/article |
| id | clacso-CLACSO50351 |
| institution | CLACSO, Repositorio Digital |
| language | Portugués |
| publishDate | 2017 |
| publisher | Pontifícia Universidade Católica de São Paulo |
| record_format | greenstone |
| spelling | clacso-CLACSO503512022-03-17T18:04:50Z Cinema and Revolution: Russian Constructivism and Dialectical Montage, Foundations of the Political Pedagogy of Eisenstein’s Images Cinema e revolução: o construtivismo russo e a montagem dialética, bases da pedagogia política das imagens de Eisenstein Batista Jr., Natalício Construtivismo russo montagem dialética pedagogia das imagens Serguei Eisenstein. Sociologia Ciência Política Serviço Social Relações Internacionais Russian constructivism dialectical montage pedagogy of images Sergei Eisenstein. Russian constructivism and the dialectical montage of images are the foundations of the practice and thought of the vanguard cinema of the Soviet director Sergei Eisenstein. In the context of the struggles and transformations unleashed by the Russian Revolution of 1917, Soviet cinema won international acclaim. Sergei Eisenstein’s filmmaking experiments with the methods of montage and explores socialist and Marxist themes. This article presents the main characteristics of Eisenstein’s work, his contribution to Soviet cinema and the pedagogical and political meaning of the montages in his films The Strike (1924), The Battleship Potemkin (1925) and October (1927). O construtivismo russo e a montagem dialética das imagens constituem as bases da prática e do pensamento do cinema vanguardista do diretor soviético, Serguei Eisenstein. No contexto das lutas e transformações desencadeadas pela Revolução Russa de 1917, o cinema soviético conquista destaque internacional. O cinema de Serguei Eisenstein experimenta os métodos de montagem e se aproxima dos temas socialistas e marxistas. O artigo apresenta as características da produção de Eisenstein, suas contribuições para a o cinema soviético e o sentido pedagógico e político da montagem de atrações em seus filmes, A Greve (1924), O Encouraçado Potemkin (1925) e Outubro (1927). 2017-12-31 2022-03-17T18:04:50Z 2022-03-17T18:04:50Z info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://revistas.pucsp.br/index.php/ls/article/view/35878 10.23925/ls.v21i39.35878 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/50351 por https://revistas.pucsp.br/index.php/ls/article/view/35878/pdf Copyright (c) 2018 Lutas Sociais application/pdf Pontifícia Universidade Católica de São Paulo Lutas Sociais; v. 21 n. 39 (2017): O processo soviético e seus desdobramentos; 64-76 2526-3706 1415-854X 10.23925/ls.v21i39 |
| spellingShingle | Construtivismo russo montagem dialética pedagogia das imagens Serguei Eisenstein. Sociologia Ciência Política Serviço Social Relações Internacionais Russian constructivism dialectical montage pedagogy of images Sergei Eisenstein. Batista Jr., Natalício Cinema and Revolution: Russian Constructivism and Dialectical Montage, Foundations of the Political Pedagogy of Eisenstein’s Images |
| title | Cinema and Revolution: Russian Constructivism and Dialectical Montage, Foundations of the Political Pedagogy of Eisenstein’s Images |
| title_full | Cinema and Revolution: Russian Constructivism and Dialectical Montage, Foundations of the Political Pedagogy of Eisenstein’s Images |
| title_fullStr | Cinema and Revolution: Russian Constructivism and Dialectical Montage, Foundations of the Political Pedagogy of Eisenstein’s Images |
| title_full_unstemmed | Cinema and Revolution: Russian Constructivism and Dialectical Montage, Foundations of the Political Pedagogy of Eisenstein’s Images |
| title_short | Cinema and Revolution: Russian Constructivism and Dialectical Montage, Foundations of the Political Pedagogy of Eisenstein’s Images |
| title_sort | cinema and revolution: russian constructivism and dialectical montage, foundations of the political pedagogy of eisenstein’s images |
| topic | Construtivismo russo montagem dialética pedagogia das imagens Serguei Eisenstein. Sociologia Ciência Política Serviço Social Relações Internacionais Russian constructivism dialectical montage pedagogy of images Sergei Eisenstein. |
| url | https://revistas.pucsp.br/index.php/ls/article/view/35878 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/50351 |