Biblioteca Digital de VanguardiaTHE CONSTRUCTION OF THE MUSEOLOGICAL OBJECT
"Exhibiting is or should be to work against ignorance, especially against the most refractory of all ignorance: the pre-conceived idea of stereo typed culture. To exhibit is to take a calculated risk of disorientation - in the etymological sense : ( to lose your bearings), disturbs the harmony,...
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| Formato: | info:eu-repo/semantics/article |
| Lenguaje: | Portugués |
| Publicado: |
Edições Universitárias Lusófonas
2009
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| Acceso en línea: | https://revistas.ulusofona.pt/index.php/cadernosociomuseologia/article/view/245 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/48437 |
| _version_ | 1782334277928615936 |
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| author | Moutinho, Mário Canova |
| author_facet | Moutinho, Mário Canova |
| author_sort | Moutinho, Mário Canova |
| collection | Repositorio |
| description | "Exhibiting is or should be to work against ignorance, especially against the most refractory of all ignorance: the pre-conceived idea of stereo typed culture. To exhibit is to take a calculated risk of disorientation - in the etymological sense : ( to lose your bearings), disturbs the harmony, the evident , and the consensus, that constitutes the common place ( the banal). Needless to say however it is obvious that an exhibition that deliberately tries to scandalise will create an inverted perversion which results in an obscurantist pseudo-luxury - culture ... between demagogy and provocation, one has to find visual communication's subtle itinerary. Even though an intermediary route is not so stimulating : as Gaston Bachelard said "All the roads lead to Rome, except the roads of compromise." (1) |
| format | info:eu-repo/semantics/article |
| id | clacso-CLACSO48437 |
| institution | CLACSO, Repositorio Digital |
| language | Portugués |
| publishDate | 2009 |
| publisher | Edições Universitárias Lusófonas |
| record_format | greenstone |
| spelling | clacso-CLACSO484372022-03-17T17:46:07Z THE CONSTRUCTION OF THE MUSEOLOGICAL OBJECT Moutinho, Mário Canova "Exhibiting is or should be to work against ignorance, especially against the most refractory of all ignorance: the pre-conceived idea of stereo typed culture. To exhibit is to take a calculated risk of disorientation - in the etymological sense : ( to lose your bearings), disturbs the harmony, the evident , and the consensus, that constitutes the common place ( the banal). Needless to say however it is obvious that an exhibition that deliberately tries to scandalise will create an inverted perversion which results in an obscurantist pseudo-luxury - culture ... between demagogy and provocation, one has to find visual communication's subtle itinerary. Even though an intermediary route is not so stimulating : as Gaston Bachelard said "All the roads lead to Rome, except the roads of compromise." (1) 2009-06-13 2022-03-17T17:46:07Z 2022-03-17T17:46:07Z info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://revistas.ulusofona.pt/index.php/cadernosociomuseologia/article/view/245 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/48437 por https://revistas.ulusofona.pt/index.php/cadernosociomuseologia/article/view/245/154 application/pdf Edições Universitárias Lusófonas Cadernos de Sociomuseologia; Vol. 4 No. 4 (1994): The construction of the museological object Cadernos de Sociomuseologia; v. 4 n. 4 (1994): The construction of the museological object 1646-3714 1646-3706 |
| spellingShingle | Moutinho, Mário Canova THE CONSTRUCTION OF THE MUSEOLOGICAL OBJECT |
| title | THE CONSTRUCTION OF THE MUSEOLOGICAL OBJECT |
| title_full | THE CONSTRUCTION OF THE MUSEOLOGICAL OBJECT |
| title_fullStr | THE CONSTRUCTION OF THE MUSEOLOGICAL OBJECT |
| title_full_unstemmed | THE CONSTRUCTION OF THE MUSEOLOGICAL OBJECT |
| title_short | THE CONSTRUCTION OF THE MUSEOLOGICAL OBJECT |
| title_sort | construction of the museological object |
| url | https://revistas.ulusofona.pt/index.php/cadernosociomuseologia/article/view/245 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/48437 |