Biblioteca Digital de VanguardiaTHE CONSTRUCTION OF THE MUSEOLOGICAL OBJECT
"Exhibiting is or should be to work against ignorance, especially against the most refractory of all ignorance: the pre-conceived idea of stereo typed culture. To exhibit is to take a calculated risk of disorientation - in the etymological sense : ( to lose your bearings), disturbs the harmony,...
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| Formato: | info:eu-repo/semantics/article |
| Lenguaje: | Portugués |
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Edições Universitárias Lusófonas
2009
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| Acceso en línea: | https://revistas.ulusofona.pt/index.php/cadernosociomuseologia/article/view/245 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/48437 |
| Sumario: | "Exhibiting is or should be to work against ignorance, especially against the most refractory of all ignorance: the pre-conceived idea of stereo typed culture. To exhibit is to take a calculated risk of disorientation - in the etymological sense : ( to lose your bearings), disturbs the harmony, the evident , and the consensus, that constitutes the common place ( the banal). Needless to say however it is obvious that an exhibition that deliberately tries to scandalise will create an inverted perversion which results in an obscurantist pseudo-luxury - culture ... between demagogy and provocation, one has to find visual communication's subtle itinerary. Even though an intermediary route is not so stimulating : as Gaston Bachelard said "All the roads lead to Rome, except the roads of compromise." (1) |
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