Biblioteca Digital de Vanguardia'Montevideo del 900':
This article reflects on the presence of female plastic artists in Uruguay between the second half of the 19th century and the first decade of the 20th century, revealing the logics as well as the places from which the society of the time enabled the participation of women in the field of arts.
| Autor principal: | |
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| Formato: | info:eu-repo/semantics/article |
| Lenguaje: | Español |
| Publicado: |
Universidad Centro Latinoamericano de Economía Humana (Universidad CLAEH)
2020
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| Acceso en línea: | http://publicaciones.claeh.edu.uy/index.php/cclaeh/article/view/443 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/46179 |
| _version_ | 1782339711504744448 |
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| author | Tomeo, Daniela |
| author_facet | Tomeo, Daniela |
| author_sort | Tomeo, Daniela |
| collection | Repositorio |
| description | This article reflects on the presence of female plastic artists in Uruguay between the second half of the 19th century and the first decade of the 20th century, revealing the logics as well as the places from which the society of the time enabled the participation of women in the field of arts. |
| format | info:eu-repo/semantics/article |
| id | clacso-CLACSO46179 |
| institution | CLACSO, Repositorio Digital |
| language | Español |
| publishDate | 2020 |
| publisher | Universidad Centro Latinoamericano de Economía Humana (Universidad CLAEH) |
| record_format | greenstone |
| spelling | clacso-CLACSO461792022-03-17T17:21:09Z 'Montevideo del 900': Territorio liberado: Tomeo, Daniela This article reflects on the presence of female plastic artists in Uruguay between the second half of the 19th century and the first decade of the 20th century, revealing the logics as well as the places from which the society of the time enabled the participation of women in the field of arts. El artículo propone pensar en la presencia femenina en las artes plásticas del Uruguay entre la segunda mitad del siglo XIX y la primera década del XX, y evidenciar las lógicas y los lugares desde los que la sociedad habilitaba la participación de las mujeres en el mundo del arte. 2020-06-29 2022-03-17T17:21:09Z 2022-03-17T17:21:09Z info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo evaluado por pares http://publicaciones.claeh.edu.uy/index.php/cclaeh/article/view/443 10.29192/claeh.39.1.3 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/46179 spa http://publicaciones.claeh.edu.uy/index.php/cclaeh/article/view/443/355 Derechos de autor 2020 Cuadernos del Claeh http://creativecommons.org/licenses/by-nc-sa/4.0 application/pdf Universidad Centro Latinoamericano de Economía Humana (Universidad CLAEH) Cuadernos del Claeh; Vol. 39 Núm. 111 (2020); 65-80 2393-5979 0797-6062 |
| spellingShingle | Tomeo, Daniela 'Montevideo del 900': |
| title | 'Montevideo del 900': |
| title_full | 'Montevideo del 900': |
| title_fullStr | 'Montevideo del 900': |
| title_full_unstemmed | 'Montevideo del 900': |
| title_short | 'Montevideo del 900': |
| title_sort | 'montevideo del 900': |
| url | http://publicaciones.claeh.edu.uy/index.php/cclaeh/article/view/443 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/46179 |