Public images filmed

The study deals with the documentary O processo (Maria Augusta Ramos; Brazil, 2018); the analysis focus on the way certain public images were filmed during Dilma Rousseff's impeachment; framing contraries and contradictories instances, verbal and imagetic discourses organize peculiar ways of sh...

Descripción completa

Detalles Bibliográficos
Autores principales: Fischer, Sandra, Vaz, Aline
Formato: info:eu-repo/semantics/article
Lenguaje:Español
Publicado: Universidad Centro Latinoamericano de Economía Humana (Universidad CLAEH) 2020
Acceso en línea:http://publicaciones.claeh.edu.uy/index.php/cclaeh/article/view/429
http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/46173
_version_ 1782336266748035072
author Fischer, Sandra
Vaz, Aline
author_facet Fischer, Sandra
Vaz, Aline
author_sort Fischer, Sandra
collection Repositorio
description The study deals with the documentary O processo (Maria Augusta Ramos; Brazil, 2018); the analysis focus on the way certain public images were filmed during Dilma Rousseff's impeachment; framing contraries and contradictories instances, verbal and imagetic discourses organize peculiar ways of showing Brazilian politics on the scene. The re-apresentation of the public image in the film reveals that in order to gain control in the given context, a specific social image needs another one to be presented as a counterpoint.
format info:eu-repo/semantics/article
id clacso-CLACSO46173
institution CLACSO, Repositorio Digital
language Español
publishDate 2020
publisher Universidad Centro Latinoamericano de Economía Humana (Universidad CLAEH)
record_format greenstone
spelling clacso-CLACSO461732022-03-17T17:21:08Z Public images filmed Imagens públicas filmadas: Fischer, Sandra Vaz, Aline The study deals with the documentary O processo (Maria Augusta Ramos; Brazil, 2018); the analysis focus on the way certain public images were filmed during Dilma Rousseff's impeachment; framing contraries and contradictories instances, verbal and imagetic discourses organize peculiar ways of showing Brazilian politics on the scene. The re-apresentation of the public image in the film reveals that in order to gain control in the given context, a specific social image needs another one to be presented as a counterpoint. O estudo trata do documentário O processo (Maria Augusta Ramos; Brasil, 2018), analisando a maneira como determinadas imagens públicas foram filmadas durante o impeachment de Dilma Rousseff, enquadrando contrários e contraditórios. O trabalho concentra-se na forma como os discursos verbais e imagéticos organizam peculiares modos de dar a ver a política brasileira em cena. Examinando como se manifesta no filme a reapresentação da imagem pública, percebe-se que no contexto dado a manutenção do controle de uma determinada imagem social necessita de outra que funcione em contraposição. 2020-06-29 2022-03-17T17:21:08Z 2022-03-17T17:21:08Z info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo evaluado por pares http://publicaciones.claeh.edu.uy/index.php/cclaeh/article/view/429 10.29192/claeh.39.1.4 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/46173 spa http://publicaciones.claeh.edu.uy/index.php/cclaeh/article/view/429/356 Derechos de autor 2020 Cuadernos del Claeh http://creativecommons.org/licenses/by-nc-sa/4.0 application/pdf Universidad Centro Latinoamericano de Economía Humana (Universidad CLAEH) Cuadernos del Claeh; Vol. 39 Núm. 111 (2020); 81-99 2393-5979 0797-6062
spellingShingle Fischer, Sandra
Vaz, Aline
Public images filmed
title Public images filmed
title_full Public images filmed
title_fullStr Public images filmed
title_full_unstemmed Public images filmed
title_short Public images filmed
title_sort public images filmed
url http://publicaciones.claeh.edu.uy/index.php/cclaeh/article/view/429
http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/46173