Public images filmed
The study deals with the documentary O processo (Maria Augusta Ramos; Brazil, 2018); the analysis focus on the way certain public images were filmed during Dilma Rousseff's impeachment; framing contraries and contradictories instances, verbal and imagetic discourses organize peculiar ways of sh...
Autores principales: | , |
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Formato: | info:eu-repo/semantics/article |
Lenguaje: | Español |
Publicado: |
Universidad Centro Latinoamericano de Economía Humana (Universidad CLAEH)
2020
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Acceso en línea: | http://publicaciones.claeh.edu.uy/index.php/cclaeh/article/view/429 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/46173 |
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author | Fischer, Sandra Vaz, Aline |
author_facet | Fischer, Sandra Vaz, Aline |
author_sort | Fischer, Sandra |
collection | Repositorio |
description | The study deals with the documentary O processo (Maria Augusta Ramos; Brazil, 2018); the analysis focus on the way certain public images were filmed during Dilma Rousseff's impeachment; framing contraries and contradictories instances, verbal and imagetic discourses organize peculiar ways of showing Brazilian politics on the scene. The re-apresentation of the public image in the film reveals that in order to gain control in the given context, a specific social image needs another one to be presented as a counterpoint. |
format | info:eu-repo/semantics/article |
id | clacso-CLACSO46173 |
institution | CLACSO, Repositorio Digital |
language | Español |
publishDate | 2020 |
publisher | Universidad Centro Latinoamericano de Economía Humana (Universidad CLAEH) |
record_format | greenstone |
spelling | clacso-CLACSO461732022-03-17T17:21:08Z Public images filmed Imagens públicas filmadas: Fischer, Sandra Vaz, Aline The study deals with the documentary O processo (Maria Augusta Ramos; Brazil, 2018); the analysis focus on the way certain public images were filmed during Dilma Rousseff's impeachment; framing contraries and contradictories instances, verbal and imagetic discourses organize peculiar ways of showing Brazilian politics on the scene. The re-apresentation of the public image in the film reveals that in order to gain control in the given context, a specific social image needs another one to be presented as a counterpoint. O estudo trata do documentário O processo (Maria Augusta Ramos; Brasil, 2018), analisando a maneira como determinadas imagens públicas foram filmadas durante o impeachment de Dilma Rousseff, enquadrando contrários e contraditórios. O trabalho concentra-se na forma como os discursos verbais e imagéticos organizam peculiares modos de dar a ver a política brasileira em cena. Examinando como se manifesta no filme a reapresentação da imagem pública, percebe-se que no contexto dado a manutenção do controle de uma determinada imagem social necessita de outra que funcione em contraposição. 2020-06-29 2022-03-17T17:21:08Z 2022-03-17T17:21:08Z info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo evaluado por pares http://publicaciones.claeh.edu.uy/index.php/cclaeh/article/view/429 10.29192/claeh.39.1.4 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/46173 spa http://publicaciones.claeh.edu.uy/index.php/cclaeh/article/view/429/356 Derechos de autor 2020 Cuadernos del Claeh http://creativecommons.org/licenses/by-nc-sa/4.0 application/pdf Universidad Centro Latinoamericano de Economía Humana (Universidad CLAEH) Cuadernos del Claeh; Vol. 39 Núm. 111 (2020); 81-99 2393-5979 0797-6062 |
spellingShingle | Fischer, Sandra Vaz, Aline Public images filmed |
title | Public images filmed |
title_full | Public images filmed |
title_fullStr | Public images filmed |
title_full_unstemmed | Public images filmed |
title_short | Public images filmed |
title_sort | public images filmed |
url | http://publicaciones.claeh.edu.uy/index.php/cclaeh/article/view/429 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/46173 |