Biblioteca Digital de VanguardiaPublic images filmed
The study deals with the documentary O processo (Maria Augusta Ramos; Brazil, 2018); the analysis focus on the way certain public images were filmed during Dilma Rousseff's impeachment; framing contraries and contradictories instances, verbal and imagetic discourses organize peculiar ways of sh...
| Autores principales: | , |
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| Formato: | info:eu-repo/semantics/article |
| Lenguaje: | Español |
| Publicado: |
Universidad Centro Latinoamericano de Economía Humana (Universidad CLAEH)
2020
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| Acceso en línea: | http://publicaciones.claeh.edu.uy/index.php/cclaeh/article/view/429 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/46173 |
| Sumario: | The study deals with the documentary O processo (Maria Augusta Ramos; Brazil, 2018); the analysis focus on the way certain public images were filmed during Dilma Rousseff's impeachment; framing contraries and contradictories instances, verbal and imagetic discourses organize peculiar ways of showing Brazilian politics on the scene. The re-apresentation of the public image in the film reveals that in order to gain control in the given context, a specific social image needs another one to be presented as a counterpoint. |
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