Biblioteca Digital de VanguardiaCINEMATIC SABOTAGES: HITCHCOCK, TARANTINO, AND ALMODÓVAR
This essay considers the theme of sabotage in Hitchcock, especially in his British film Sabotage, in terms of Manuel Asensi’s syllogistic theory. It also analyzes similar subversive themes in two contemporary movies, Quentin Tarantino’s Inglourious Basterds and Pedro Almodóvar’s Volver. The literal...
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| Formato: | info:eu-repo/semantics/article |
| Lenguaje: | Español |
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Centro de Investigaciones y Estudios sobre Cultura y Sociedad
2015
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/astrolabio/article/view/12476 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/35552 |