CINEMATIC SABOTAGES: HITCHCOCK, TARANTINO, AND ALMODÓVAR

This essay considers the theme of sabotage in Hitchcock, especially in his British film Sabotage, in terms of Manuel Asensi’s syllogistic theory. It also analyzes similar subversive themes in two contemporary movies, Quentin Tarantino’s Inglourious Basterds and Pedro Almodóvar’s Volver. The literal...

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Detalles Bibliográficos
Autor principal: Stallings, Gregory Charles
Formato: info:eu-repo/semantics/article
Lenguaje:Español
Publicado: Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2015
Materias:
Acceso en línea:https://revistas.unc.edu.ar/index.php/astrolabio/article/view/12476
http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/35552