Biblioteca Digital de VanguardiaThe dictatorship as reference: the discourse of rock'and roll in the Argentine and framework of democratic transition.
This paper presents a preview of doctoral thesis research on the discursive construction of freedom which focus the lyrics of rock-pop Argentina during the period 1982-1989, since the end of the tragic Falklands War until the end of the first government of the recovered democracy.The research contri...
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| Formato: | info:eu-repo/semantics/article |
| Lenguaje: | Español |
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Facultad de Periodismo y Comunicación Social
2016
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| Acceso en línea: | https://perio.unlp.edu.ar/ojs/index.php/apuntes/article/view/3525 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/34158 |
| _version_ | 1782337886024105984 |
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| author | Secul Giusti, Cristian |
| author_facet | Secul Giusti, Cristian |
| author_sort | Secul Giusti, Cristian |
| collection | Repositorio |
| description | This paper presents a preview of doctoral thesis research on the discursive construction of freedom which focus the lyrics of rock-pop Argentina during the period 1982-1989, since the end of the tragic Falklands War until the end of the first government of the recovered democracy.The research contributes to reflection on the speeches of the rock-pop Argentina, pretending to investigate and understand the continuities and ruptures that set the lyrical speeches. Therefore, the analysis of linguistic discourse works as a field of qualitative research, from French side, can articulate interpretative guidance language, centralized in declarative frameworks and related to exploratory studies of discourse context.In these cases, the discursive construction of the freedom working from the diversity and retakes as a framework for discussion at a stage of transformation. Thus, a body of 40 (forty) letters Argentine rock-pop with the intention to form a heterogeneous and detailed on the topics of freedom map, contiguous, democratic aims. Thus creates the lyrics recognize ways of seeing and feeling that mutate and social highlight critical arguments, linked to inequalities and complexities of a country under reconstruction.With respect to the Argentine rock culture, we understand that prospects are transcendental addressed to warn dialogic and discursive tables are turned and fed back to the social space of time «democratic transition». As a complex cultural phenomenon, the Argentine rock represents a compendium of experiences that go beyond the purely musical and lyrical.Fundamentally, the rock produced domestically produced and causes linked from the field of culture, identities and worldviews turning to deal with the conventions. In light of this, it is noted that since its inception has worked as a youth counterculture vehicle identification shown rebel, rebellious means, and that from its link with the pop aesthetic of the eighties, are built upon the provocation and transgression. |
| format | info:eu-repo/semantics/article |
| id | clacso-CLACSO34158 |
| institution | CLACSO, Repositorio Digital |
| language | Español |
| publishDate | 2016 |
| publisher | Facultad de Periodismo y Comunicación Social |
| record_format | greenstone |
| spelling | clacso-CLACSO341582022-03-16T20:22:43Z The dictatorship as reference: the discourse of rock'and roll in the Argentine and framework of democratic transition. La dictadura como referencia: el discurso del rock argentino y el marco de transición democrática Secul Giusti, Cristian Discurso Rock argentino Libertad Transición democrática Discourse Argentine rock freedom democratic transition This paper presents a preview of doctoral thesis research on the discursive construction of freedom which focus the lyrics of rock-pop Argentina during the period 1982-1989, since the end of the tragic Falklands War until the end of the first government of the recovered democracy.The research contributes to reflection on the speeches of the rock-pop Argentina, pretending to investigate and understand the continuities and ruptures that set the lyrical speeches. Therefore, the analysis of linguistic discourse works as a field of qualitative research, from French side, can articulate interpretative guidance language, centralized in declarative frameworks and related to exploratory studies of discourse context.In these cases, the discursive construction of the freedom working from the diversity and retakes as a framework for discussion at a stage of transformation. Thus, a body of 40 (forty) letters Argentine rock-pop with the intention to form a heterogeneous and detailed on the topics of freedom map, contiguous, democratic aims. Thus creates the lyrics recognize ways of seeing and feeling that mutate and social highlight critical arguments, linked to inequalities and complexities of a country under reconstruction.With respect to the Argentine rock culture, we understand that prospects are transcendental addressed to warn dialogic and discursive tables are turned and fed back to the social space of time «democratic transition». As a complex cultural phenomenon, the Argentine rock represents a compendium of experiences that go beyond the purely musical and lyrical.Fundamentally, the rock produced domestically produced and causes linked from the field of culture, identities and worldviews turning to deal with the conventions. In light of this, it is noted that since its inception has worked as a youth counterculture vehicle identification shown rebel, rebellious means, and that from its link with the pop aesthetic of the eighties, are built upon the provocation and transgression. El presenteartículo expone un avance de tesis de investigación doctoral sobre la construcción discursiva de la libertad que tematizan las líricas de rock-pop argentino en el transcurso del período 1982-1989, desde la finalización de la trágica Guerra de Malvinas hasta la conclusión del primer gobierno de la recuperada democracia. La investigacióncontribuye a la reflexión sobre los discursos del rock-pop argentino, pretendiendo indagar y comprender las continuidades y las rupturas que establecen los discursos líricos. Por tanto, el análisis del discurso lingüístico funciona como un campo de investigación cualitativo que, desde su vertiente francesa, permite articular una orientación interpretativa del lenguaje, centralizada en los marcos enunciativos y en relación con los estudios exploratorios de los discursos del contexto. A estas instancias, la construcción discursiva de la libertad se trabaja desde la diversidad y se la retoma como marco de discusión en un escenario de transformación. De esta manera, se propone un corpus de 40 (cuarenta) letras de rock-pop argentino con la intención de constituir un mapa heterogéneo y detallado sobre los tópicos de libertad y, por contigüidad, de democracia. Se cree así que las líricas reconocen modos de ver y sentir social que mutan y que destacan argumentos críticos, vinculados con desigualdades y complejidades propias de un país en reconstrucción. En lo que concierne a la cultura rock argentino, se comprende que las perspectivas abordadas son trascendentales para advertir los cuadros dialógicos y discursivos que se activan y retroalimentan con el espacio social de los tiempos de “transición democrática”. Como fenómeno cultural complejo, el rock argentino representa un compendio de experiencias que exceden lo meramente musical y lírico. Fundamentalmente, el rock producido en el país produce y provoca enlaces desde el terreno de la cultura, activando identidades y cosmovisiones para lidiar contra los convencionalismos. En virtud de ello, se advierte que desde sus inicios ha funcionado como un vehículo contracultural de identificación juvenil que se muestra rebelde, se entiende contestatario, y que, a partir de su vinculación con las estética pop de los ochenta, sienta sus bases en la provocación y en la trasgresión. 2016-10-05 2022-03-16T20:22:43Z 2022-03-16T20:22:43Z info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://perio.unlp.edu.ar/ojs/index.php/apuntes/article/view/3525 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/34158 spa https://perio.unlp.edu.ar/ojs/index.php/apuntes/article/view/3525/2915 https://perio.unlp.edu.ar/ojs/index.php/apuntes/article/view/3525/2925 Derechos de autor 2016 Apuntes de comunicación, educación y discurso application/pdf application/epub+zip Facultad de Periodismo y Comunicación Social Apuntes de comunicación, educación y discurso; Núm. 1 (2016); 91 - 107 2525-2046 |
| spellingShingle | Discurso Rock argentino Libertad Transición democrática Discourse Argentine rock freedom democratic transition Secul Giusti, Cristian The dictatorship as reference: the discourse of rock'and roll in the Argentine and framework of democratic transition. |
| title | The dictatorship as reference: the discourse of rock'and roll in the Argentine and framework of democratic transition. |
| title_full | The dictatorship as reference: the discourse of rock'and roll in the Argentine and framework of democratic transition. |
| title_fullStr | The dictatorship as reference: the discourse of rock'and roll in the Argentine and framework of democratic transition. |
| title_full_unstemmed | The dictatorship as reference: the discourse of rock'and roll in the Argentine and framework of democratic transition. |
| title_short | The dictatorship as reference: the discourse of rock'and roll in the Argentine and framework of democratic transition. |
| title_sort | dictatorship as reference: the discourse of rock'and roll in the argentine and framework of democratic transition. |
| topic | Discurso Rock argentino Libertad Transición democrática Discourse Argentine rock freedom democratic transition |
| url | https://perio.unlp.edu.ar/ojs/index.php/apuntes/article/view/3525 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/34158 |