Biblioteca Digital de VanguardiaAppropriating one's own body as a revolutionary act. Interview with Ana Harff
Ana Harff is a Brazilian photographer who has been living in Buenos Aires, Argentina for 11 years. She identifies herself as a feminist portrait photographer and seeks, with her work, to subvert the traditionally male and hegemonic gaze towards female bodies and identities, as well as the naturaliza...
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| Formato: | info:eu-repo/semantics/article |
| Lenguaje: | Español |
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Área Feminismos, Género y Sexualidades del Centro de Investigaciones "María Saleme de Burnichón" de la Facultad de Filosofía y Humanidades, Universidad Nacional de Córdoba
2021
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/polemicasfeminista/article/view/32196 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/29317 |
| _version_ | 1782339759840952320 |
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| author | Cabra, Guillermina |
| author_facet | Cabra, Guillermina |
| author_sort | Cabra, Guillermina |
| collection | Repositorio |
| description | Ana Harff is a Brazilian photographer who has been living in Buenos Aires, Argentina for 11 years. She identifies herself as a feminist portrait photographer and seeks, with her work, to subvert the traditionally male and hegemonic gaze towards female bodies and identities, as well as the naturalization and non-sexualization of the nude by portraying diverse bodies. |
| format | info:eu-repo/semantics/article |
| id | clacso-CLACSO29317 |
| institution | CLACSO, Repositorio Digital |
| language | Español |
| publishDate | 2021 |
| publisher | Área Feminismos, Género y Sexualidades del Centro de Investigaciones "María Saleme de Burnichón" de la Facultad de Filosofía y Humanidades, Universidad Nacional de Córdoba |
| record_format | greenstone |
| spelling | clacso-CLACSO293172022-03-16T19:06:14Z Appropriating one's own body as a revolutionary act. Interview with Ana Harff Apropiarse del propio cuerpo como acto revolucionario. Entrevista a Ana Harff Apropriar-se do próprio corpo como um acto revolucionário. Entrevista com Ana Harff Cabra, Guillermina Feminist photography Bodies Portraits Social networks Fotografía feminista Cuerpos Retratos Redes Sociales Fotografia feminista Corpos Retratos Redes sociais Ana Harff is a Brazilian photographer who has been living in Buenos Aires, Argentina for 11 years. She identifies herself as a feminist portrait photographer and seeks, with her work, to subvert the traditionally male and hegemonic gaze towards female bodies and identities, as well as the naturalization and non-sexualization of the nude by portraying diverse bodies. Ana Harff es una fotógrafa brasilera que, desde hace 11 años, vive en Buenos Aires, Argentina. Se identifica a sí misma como fotógrafa feminista de retratos y busca, con sus trabajos, subvertir la mirada tradicionalmente masculina y hegemónica hacia los cuerpos e identidades femeninas, así como también busca la naturalización y no sexualización del desnudo retratando cuerpos diversos. Ana Harff é uma fotógrafa brasileira que vive em Buenos Aires, Argentina, há 11 anos. Ela identifica-se como fotógrafa feminista de retratos e procura, com o seu trabalho, subverter o olhar tradicionalmente masculino e hegemónico para os corpos e identidades femininas, bem como a naturalização e não sexualização do nu através do retrato de corpos diversos. 2021-03-01 2022-03-16T19:06:14Z 2022-03-16T19:06:14Z info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://revistas.unc.edu.ar/index.php/polemicasfeminista/article/view/32196 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/29317 spa https://revistas.unc.edu.ar/index.php/polemicasfeminista/article/view/32196/33019 Derechos de autor 2021 Guillermina Cabra https://creativecommons.org/licenses/by-nc-sa/4.0 application/pdf Área Feminismos, Género y Sexualidades del Centro de Investigaciones "María Saleme de Burnichón" de la Facultad de Filosofía y Humanidades, Universidad Nacional de Córdoba Polémicas Feministas; No. 4 (2020): Feminisms and sex-gendered dissidence in Argentina: Genealogies, political imaginaries and (de)constructions of commonness; 1-12 Polémicas Feministas; Núm. 4 (2020): Feminismos y disidencias sexogenéricas en la Argentina: Genealogías, imaginarios políticos y (de)construcciones de lo común; 1-12 Polémicas Feministas; n. 4 (2020): Feminismos e dissidência entre sexos na Argentina: Genealogias, imaginários políticos e (des)construções do comum; 1-12 2591-3611 1853-4309 |
| spellingShingle | Feminist photography Bodies Portraits Social networks Fotografía feminista Cuerpos Retratos Redes Sociales Fotografia feminista Corpos Retratos Redes sociais Cabra, Guillermina Appropriating one's own body as a revolutionary act. Interview with Ana Harff |
| title | Appropriating one's own body as a revolutionary act. Interview with Ana Harff |
| title_full | Appropriating one's own body as a revolutionary act. Interview with Ana Harff |
| title_fullStr | Appropriating one's own body as a revolutionary act. Interview with Ana Harff |
| title_full_unstemmed | Appropriating one's own body as a revolutionary act. Interview with Ana Harff |
| title_short | Appropriating one's own body as a revolutionary act. Interview with Ana Harff |
| title_sort | appropriating one's own body as a revolutionary act. interview with ana harff |
| topic | Feminist photography Bodies Portraits Social networks Fotografía feminista Cuerpos Retratos Redes Sociales Fotografia feminista Corpos Retratos Redes sociais |
| url | https://revistas.unc.edu.ar/index.php/polemicasfeminista/article/view/32196 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/29317 |