Paisaje: Imagen, entorno, ensamble

Despite explicitly recognizing its mediating function between culture and nature, both aesthetics and social science tend to reduce landscape, either to a mere construct of the gaze that beholds it or to the material result of human intervention into its thereby "culturized" natural enviro...

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Autor principal: Andermann, Jens
Formato: info:eu-repo/semantics/article
Lenguaje:Español
Publicado: Centro de Estudios de Teoría y Crítica Literaria, IdIHCS - CONICET. Facultad de Humanidades y Ciencias de la Educación. UNLP 2008
Acceso en línea:https://www.orbistertius.unlp.edu.ar/article/view/OTv13n14a01
http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/27072
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author Andermann, Jens
author_facet Andermann, Jens
author_sort Andermann, Jens
collection Repositorio
description Despite explicitly recognizing its mediating function between culture and nature, both aesthetics and social science tend to reduce landscape, either to a mere construct of the gaze that beholds it or to the material result of human intervention into its thereby "culturized" natural environment. This essay argues that we should return to conceive of landscape as the process that runs from the image to the environment and vice versa, as an assemblage of the human and the non-human. In this way, it aims to sketch out a theoretical frame in which to historicize the landscapes of Latin American modernity.
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spelling clacso-CLACSO270722022-03-16T18:03:21Z Paisaje: Imagen, entorno, ensamble Andermann, Jens Despite explicitly recognizing its mediating function between culture and nature, both aesthetics and social science tend to reduce landscape, either to a mere construct of the gaze that beholds it or to the material result of human intervention into its thereby "culturized" natural environment. This essay argues that we should return to conceive of landscape as the process that runs from the image to the environment and vice versa, as an assemblage of the human and the non-human. In this way, it aims to sketch out a theoretical frame in which to historicize the landscapes of Latin American modernity. Aun reconociendo su situación mediadora entre cultura y naturaleza, tanto las disciplinas estéticas como las ciencias sociales suelen reducir el paisaje, o bien a una mera construcción de la mirada que lo abarca o bien al resultado material que la intervención humana deja al "culturizar" su entorno natural. Este ensayo argumenta que, en cambio, tenemos que volver a pensar al paisaje como el proceso que va de la imagen al entorno y viceversa, ensamblando lo humano con lo no-humano. De esta manera, se propone esbozar un marco teórico para historizar el paisaje en la modernidad latinoamericana. 2008-09-30 2022-03-16T18:03:20Z 2022-03-16T18:03:20Z info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://www.orbistertius.unlp.edu.ar/article/view/OTv13n14a01 http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/27072 spa https://www.orbistertius.unlp.edu.ar/article/view/OTv13n14a01/pdf_1 application/pdf Centro de Estudios de Teoría y Crítica Literaria, IdIHCS - CONICET. Facultad de Humanidades y Ciencias de la Educación. UNLP Orbis Tertius; Vol. 13 No. 14 (2008) Orbis Tertius; Vol. 13 Núm. 14 (2008) Orbis Tertius; Vol. 13 N.º 14 (2008) 1851-7811
spellingShingle Andermann, Jens
Paisaje: Imagen, entorno, ensamble
title Paisaje: Imagen, entorno, ensamble
title_full Paisaje: Imagen, entorno, ensamble
title_fullStr Paisaje: Imagen, entorno, ensamble
title_full_unstemmed Paisaje: Imagen, entorno, ensamble
title_short Paisaje: Imagen, entorno, ensamble
title_sort paisaje: imagen, entorno, ensamble
url https://www.orbistertius.unlp.edu.ar/article/view/OTv13n14a01
http://biblioteca-repositorio.clacso.edu.ar/handle/CLACSO/27072